{"title":"33 1 3 Europe","description":"\u003cp\u003eDive into the heart of European music with the '33 1\/3 Europe' series. Each book offers a deep dive into iconic albums, exploring cultural impact and artistic genius. Perfect for music enthusiasts!\u003c\/p\u003e","products":[{"product_id":"darkthrones-a-blaze-in-the-northern-sky-book-ross-hagen-9781501354335","title":"Darkthrones A Blaze in the Northern Sky","description":"Darkthrone's A Blaze in the Northern Sky (1992) is a foundational keystone of the musical and aesthetic vision of the notorious Norwegian black metal scene and one of the most beloved albums of the genre. Its mysterious artwork and raw sound continue to captivate and inspire black metal fans and musicians worldwide. This book explores the album in the context of exoticism and musical geography, examining how black metal music has come to conjure images of untamed Nordic wildernesses for fans worldwide. 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The question at the heart of the recording was prescient in the waning years of the Cold War, but it remains no less critical for the “crisis of Europe” today: Is it possible for Europe to be unified?   A vast range of musical styles—from folk song to hip-hop, from the symphonic canon to heavy metal—coalesce in the five acts, which expose the wounds of European history while struggling musically to heal them. This extraordinary recording from 1989\/90 not only captures the sound of a historical moment, but also powerfully enacts responses to it.  33 1\/3 Global, a series related to but independent from 33 1\/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. 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Differently from what black-white interpretations suggest, rock in East Germany developed along lines marked by unexpected possibilities, productive contradictions, and constant negotiations between artists and the state. This is the subject of this book. 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The story of J.M.K.E. illustrates the subcultural organization not only in Estonia but in the Soviet Union in general, where pop music and the existence of subculture was more or less censored for 50 years. Broadly, it presents the influential role of pop culture in the transition from a totalitarian society to early capitalism and from subcultural to post-subcultural society.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53628965257489,"sku":"NLS9798765103104","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9798765103104.jpg?v=1780814318"},{"product_id":"taco-hemingway-s-jarmark-book-kamila-rymajdo-9798765103050","title":"Taco Hemingway's Jarmark","description":"Examining the cultural significance of the rap album Jarmark (2020) as a reflection of Polish politics and history during the country’s populist turn and migration following EU enlargement.  Taco Hemingway is the first Polish artist to be streamed a billion times on Spotify. His fifth studio album, Jarmark, is his most political work to date. Previously described as the voice of a generation with nothing to say, Hemingway’s shift towards political themes can be seen as an intervention, especially as Jarmark’s lead single ‘Polskie Tango’ was released just two days before the 2020 presidential election.   As such, this book examines the album as a response to a crisis point in Polish society, with the country divided about its future, both politically and socially. It also explores the album’s textual and musical characteristics while situating Hemingway’s career within the broader context of Polish rap history as well as Polish migration. Additionally, the book discusses the album’s impact through its critical reception, sales, awards, and social media commentary.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53629078274321,"sku":"NLS9798765103050","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9798765103050.jpg?v=1780815186"},{"product_id":"cccp-fedeli-alla-lineas-affinita-divergenze-fra-il-compagno-togliatti-e-noi-book-giacomo-bott-9798765111277","title":"CCCP - Fedeli Alla Linea’s Affinità - Divergenze Fra Il Compagno Togliatti e Noi","description":"A squat in West Berlin, a farmhouse in Fellegara, a garret in Reggio Emilia, a cellar in Bologna - where is Affinità - Divergenze Fra Il Compagno Togliatti e Noi really from? This book traces the tangled geographies behind one of Italy’s most enigmatic records asking: how do places shape music, and how does music make space?    Giacomo Bottà explores the groundbreaking album by Italian band CCCP – Fedeli alla Linea, arguing that their aesthetic, musical and ideological approach embodies an ‘imaginary and affective territorialization’ caught between maximalism and minimalism.   Through chapters that analyze the band’s origins, the album as an artifact and its deeper theoretical implications, the book explores CCCP’s ambiguous position, their unique sound and their lasting influence on Italian alternative music. Ultimately, this study reveals the band’s out-of-time and out-of-place nature, capturing their controversial yet pioneering role in shaping creative identities across Europe.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53636746379537,"sku":"NLS9798765111277","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9798765111277.jpg?v=1781001939"},{"product_id":"silly-s-februar-book-michael-rauhut-9798765109304","title":"Silly's Februar","description":"A portrait and analysis of East German band Silly's popular music masterpiece, Februar, that mirrors the collapse of socialism.  In early 1989, nine months before the fall of the Berlin Wall, the band Silly released Februar, one of the most important albums in the history of rock music in the GDR. The record was both—an artistic masterpiece, and an eloquent sign of the times, with lyrics that commented on the political erosion afoot in East Europe and anticipated the collapse of socialism. That the words were able to overcome the hurdles typically set by censorship in the GDR owed in part to the extraordinary origins of the album. Februar was the only large-scale popular music coproduction between East and West Germany, jointly realized by Amiga in socialist East Germany and Ariola in the capitalist West. Ariola assumed the costs for the album, assuring itself the final say. Recorded in West Berlin, the album was released in both Germanies. Yet just as the song sequence and narrative of the record varied considerably from East to West, so too did its presentation and reception. Februar illustrated the divergent meanings rock music held in the rival societies, confirming its special power in the GDR. 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