{"title":"Aperture Magazine Ser","description":null,"products":[{"product_id":"painting-and-photography-book-aperture-aperture-9781597115797","title":"Painting and Photography","description":"How has the relationship between painting and photography evolved since the invention of the latter nearly two centuries ago? This spring, Aperture presents “Photography \u0026amp; Painting,” featuring artists from around the world who draw inspiration from both mediums in their work, illuminating how the dialogue between camera and canvas continues to unfold today in fascinating, unexpected ways.    Aperture No. 258 is anchored by three in-depth conversations with Njideka Akunyili Crosby, Vija Celmins, and Christopher Wool—three of the most significant painters of their generations. Through different strategies, these artists integrate photographic surfaces into their work, collapsing mediums to find new ways of marking time and space and of expanding our sense of how memories can be represented, from Akunyili Crosby’s spellbinding meditations on Nigerian culture incorporating family and found photographs; to Christopher Wool’s conceptual images of urban decay, talismanic objects, and his own abstract paintings; to Vija Celmins’s painstaking renderings of ocean waves and galaxies. As Celmins tells the photographer Richard Learoyd, “My tools are like hours.”   Rather than treat painting and photography as rivals, this issue frames them as sources of mutual inspiration. Brian Dillon examines photographers’ abiding fascination with the painter’s studio, drawing connections among Luigi Ghirri’s pictures of Giorgio Morandi’s atelier, Collier Schorr’s portraits of Nicole Eisenman, and Sally Mann’s tender trespass into Cy Twombly’s Virginia workspace. David Campany looks at the surprising resonances between gestural painting and photography in the 1950s, while Lucy Ives reflects on the misunderstood legacy of photorealism, showing how a movement long disparaged by critics continues to exert a powerful influence on younger artists. Elsewhere in the issue, Lynne Tillman rediscovers the photography of Pierre Bonnard, while Jarrett Earnest—looking at recent paintings of Britney Spears, Casablanca stills, and Judy Garland’s Dorothy—asks: Why are so many contemporary painters remaking famous images right now? And portfolios by Poppy Jones, Lia Darjes, and Shirana Shahbazi use painterly references to offer meditations on the past that reject nostalgia for more mysterious, unsettled attitudes toward memory.   The cover of Aperture No. 258 features a 2021 work by Kunié Sugiura, whose hybrid, dreamlike forms have tested the limits of photographic expression for nearly six decades. Made of painted color blocks and X-rays of her body as well as those of strangers—transfixed by the X-ray’s spectra representations of the human form, she collected them while hospitalized in the 1990s and printed them in her own darkroom—the work is Sugiura’s first large-scale grid, and can be configured in various ways. In an essay coinciding with the retrospective of Sugiura’s work at the San Francisco Museum of Modern Art, the curator Erin O’Toole traces the artist’s career through its trials and triumphs.   “We live in an age of images, an age of too-muchness, including a flood of art,” the editors write. “After around two hundred years of coexistence, photography and painting are still talking, still defining each other through an exchange of mark making and an examination of the surfaces around us that sometimes allows for fuller—and slower—experiences.”","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52617943154961,"sku":"NLS9781597115797","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":53007644688657,"sku":"GOR014692236","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":53138302009617,"sku":"NIN9781597115797","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781597115797.jpg?v=1761531767"},{"product_id":"craft-issue-book-aperture-9781597115827","title":"The Craft Issue","description":"Apertures winter issue considers the handmade in photography by assembling artists who use novel printing processes and techniques that forefront the physical materiality of the medium or explore its relationship to adjacent traditions, including ceramics, glass, textiles, design, and other forms of object making.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":52747217076497,"sku":"NIN9781597115827","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52821026701585,"sku":"NLS9781597115827","price":0.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"secrets-book-aperture-9781597116022","title":"Secrets","description":"The summer issue considers the relationship between photography and secrecy--from espionage and conspiracy to voyeuristic encounters and secret handshakes. Featuring never-before-seen work by artists including Estelle Hanania, Sarah Charlesworth, and John Divola--and a career-spanning interview with Taryn Simon ahead of her major Guggenheim solo show in September--the issue explores the hidden forces that shape our lives and what we see, offering a thrilling look through the keyhole of photography.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":53113439420689,"sku":"NGR9781597116022","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":53574016794897,"sku":"NIN9781597116022","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":53595662516497,"sku":"NLS9781597116022","price":0.0,"currency_code":"GBP","in_stock":true}]},{"product_id":"end-of-nature-book-aperture-9781597116015","title":"The End of Nature?","description":"This issue brings together a global group of photographers contemplating nature's fragile beauty and its ever-changing relationship to people. Whether depicting haiku-like moments on a remote Japanese island, the ancient forests of California, or the entire Earth, the images gathered in this sweeping yet intimate issue remind us that nature is not separate from humanity, but entwined with our lives in ways that are both mysterious and profoundly urgent.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53158897287441,"sku":"NLS9781597116015","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53252260299025,"sku":"NIN9781597116015","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781597116015.jpg?v=1772065477"},{"product_id":"stop-time-book-hiroshi-sugimoto-9781597116039","title":"Stop Time","description":"A propulsive inquiry into the elusive nature of time, light, and history.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":53548777636113,"sku":"NGR9781597116039","price":0.0,"currency_code":"GBP","in_stock":false}]}],"url":"https:\/\/www.worldofbooks.com\/collections\/aperture-magazine-ser-book-series.oembed","provider":"World of Books ","version":"1.0","type":"link"}