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Looks at the impact that knowledge of ancient Egyptian, Greek, Roman and British architecture had on aesthetic attitudes and architectural design.   Considers the interrelationship between architecture, antiquity and aesthetics in a pan-European context.   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Covers diverse media, from sculpture and painting through to photography, installations, video and performance.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49567362580753,"sku":"GOR004253245","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":51889379148049,"sku":"GOR005926779","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52144088547601,"sku":"NLS9781405112024","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1405112026.jpg?v=1751428145"},{"product_id":"psychoanalysis-in-art-history-book-margaret-iversen-9780631194750","title":"Psychoanalysis in Art History","description":"This special issue of \"Art History\" brings together original essays by leading scholars in the field of art history and psychoanalysis. 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Art schools and academies are complex organizations; their functions as arbiters of taste and as art schools were often in conflict with their role as sponsors and exhibitors of new art. Who was taught by whom? What did students hope for and what did they receive in the academy schools? What did it cost and who paid? How were the spaces of exhibition controlled? In what ways were nationalist ideals promulgated in academies that were national institutions but in which students were often of varied national origin? In what ways were academies state institutions and how - through the central role of the life class - did they mediate other forms of knowledge such as medicine and ethnography? Questions such as these are germane to the series of detailed studies contained in this volume, which is notable for the substantial body of new research it contains. All surviving documents on the courses taken by \"Brucke\" artists, the courses taught by their teachers and the artists addresses are published in appendices to Lasko's chapter. The book provides appendices containing significant new data on all British and American students at the Academie Royale in Antwerp 1877-1885. 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