{"title":"Ashgate Screen Music Series","description":"\u003cp\u003eDelve into the captivating Ashgate Screen Music Series, exploring the rich tapestry of film scores and soundtracks. Perfect for cinephiles and music enthusiasts alike, discover insightful analyses of iconic movie music.\u003c\/p\u003e","products":[{"product_id":"scoring-the-hollywood-actor-in-the-1950s-book-gregory-camp-9780367674779","title":"Scoring the Hollywood Actor in the 1950s","description":"Scoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies.   Closely examining performances of such actors as James Dean, Montgomery Clift, and Marilyn Monroe, and films of directors like Elia Kazan, Douglas Sirk, and Alfred Hitchcock, this volume provides a comprehensive view of how screen performance has been musicalised, including examination of the role of music in relation to the creation of cinematic performances and the perception of an actor’s performance. The book also explores the idea of music as a temporal vector which mirrors the temporal vector of actors’ voices and movements, ultimately demonstrating how acting and music go together to create a forward axis of time in the films of the 1950s.  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Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera.  Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50698930290961,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":50698932224273,"sku":"NGR9781138586321","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52691780239633,"sku":"NLS9781138586321","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1138586323.jpg?v=1751301398"},{"product_id":"recomposing-the-past-representations-of-early-music-on-stage-and-screen-book-james-cook-9780367593155","title":"Recomposing the Past: Representations of Early Music on Stage and Screen","description":"Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English ‘dramatick opera’). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: ‘Authenticity, Appropriateness, and Recomposing the Past’, ‘Music, Space, and Place: Geography as History’, and ‘Presentness and the Past: Dialogues between Old and New’. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51110621839633,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51110625411345,"sku":"NIN9780367593155","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52531912638737,"sku":"NLS9780367593155","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0367593157.jpg?v=1750909473"},{"product_id":"musical-sincerity-and-transcendence-in-film-book-timothy-b-cochran-9781138614345","title":"Musical Sincerity and Transcendence in Film","description":"Musical Sincerity and Transcendence in Film focuses on the ways filmmakers treat music reflexively—that is, draw attention to what it is and what it can do. 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The collection offers groundbreaking scholarly research into music videos, including critical readings of music videos, explorations of emerging formats, discussions of music video aesthetics and Nordic music videos in a global context and within popular culture. The book’s chapters are interdisciplinary explorations which recognise the strengths of specific areas of scholarly research, such as music video studies, audiovisual studies, popular music studies, and film\/media studies, while nevertheless bridging disciplines and doing justice to the multimodal and intermedial nature of practices. Furthermore, the book includes the viewpoints of industry practitioners through interviews with artists and music video directors and research on industry-related issues.  The book is likely to be of interest to a variety of readers, ranging from researchers interested in popular music and audiovisual expression in the Nordic region to master’s level students and undergraduates. The industry angles and the focus on Nordic cultures will also interest anyone who wants to discover how music videos developed or influence Nordic societies.  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Also referring to broader cultural and historical themes, the book’s third and final part charts approaches to and developments in music and sound design over various waves of Irish cinema, from its relatively late emergence in the 1970s to an exponential growth and increasingly transnational orientation in the early decades of the 21st century.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52405981053201,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52405981675793,"sku":"NLS9781138561779","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781138561779.jpg?v=1758768371"},{"product_id":"scoring-the-hollywood-actor-in-the-1950s-book-gregory-camp-9780367237202","title":"Scoring the Hollywood Actor in the 1950s","description":"Scoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52429688832273,"sku":"NLS9780367237202","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53034917003537,"sku":"NIN9780367237202","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780367237202.jpg?v=1759167620"},{"product_id":"music-the-moving-image-and-ireland-18972017-book-john-o-flynn-9781032191355","title":"Music, the Moving Image and Ireland, 1897–2017","description":"Music, the Moving Image and Ireland, 1897–2017 constitutes the first comprehensive study of music for screen productions from or relating to the island. 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Daniel White takes a range of approaches and techniques of motivic and thematic musical analysis, and pairs this with transformational harmonic analysis to theorise music’s worldbuilding roles in film. Chapters focus in turn on the opening sequences of the case study franchise films, their closing sequences, and on their depiction of houses, homes and homelands. Extra-filmic areas of these fantasy worlds are also explored, including theme parks and other tourist attractions of the Harry Potter franchise, videogames and the immersive power of their music, and the world of fandom with a focus on soundtrack consumption and other musical fan practices. Through this multifaceted approach, readers gain a deeper understanding not only of the music of these franchises, but also of music’s power in the multimedia franchise both within and without film to build a home that attracts inhabitants. 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