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It critically explores if and how learning can shape processes of societal transformation, and consequently a new language and practice of development. This includes offering critical accounts of popular, informal and non-formal learning processes, as well as the contribution of indigenous knowledges, in providing spaces for the co-production of knowledge, thinking and action on development, and in terms of shaping the ways in which citizens engage with and create new understandings of ‘development’ itself. This book makes an important and original contribution by reframing educational practices and processes in relation to broader global struggles for justice, voice and development in a rapidly changing development landscape.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49581170163985,"sku":"GOR013601606","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52106026352913,"sku":"CIN1138952559VG","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52150972088593,"sku":"NLS9781138952553","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1138952559.jpg?v=1751048426"},{"product_id":"to-catch-a-horse-book-amy-skinner-9781681113197","title":"To Catch A Horse","description":"To Catch A Horse is honest, humble, insightful and, at times, funny. Its pages radiate concern for the horse and commitment to being the sort of person a horse would want. A thoroughly enjoyable read, To Catch A Horse will not only inspire you to better horsemanship, but it will illuminate the way. (Samantha Salomon) Amy's philosophy of having truly good intentions for your horse is something that all horse people need to remember. Too often we are lost in the world of training and competition and we forget that our horse is our greatest friend, and we should treat them that way. Changing our ways and experimenting with new things can be extremely uncomfortable, but as she reminds us here, we search for better ways to do things so that we and our equine partners may be peaceful and content, inside and out. (Stefanie Maihofer) Opening up this book is like sitting down at the kitchen table with a friend, where you feel connected by the quiet, and sometimes lively, conversation. There is a lot to take away from To Catch a Horse, but I keep coming back to this passage: .we have to be able to offer real peace to the horse. To do that, we have to have peace with ourselves. Amy offers practical truths and consequences in To Catch a Horse that are hard to find anywhere else. (Julie Kenney)Amy is at the forefront of an exciting revolution that is focused on quality of life, for the horse as much as the human. (Kristen Anthony)To Catch a Horse is a must-have for those want an honest and refreshing look at horsemanship. Amy Skinner allows the reader into her world. Her willingness to challenge the status quo in the world of horsemanship demonstrates her drive to improve how the horse is seen and developed. The stories shared are skillfully worded to help the rider elevate their approach with understanding the horse. With each read, you'll find new nuggets of information. My favorites: The Problem with Training; Live Soft, Ride Soft: Bomb Proof or Shut Down; Questioning the 30-Day Start. 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From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world.   This edited volume introduces students and practitioners alike to the innovations of Russia’s directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director’s Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice.   The full range of the director’s role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings.   Through their ground-breaking ideas and techniques, Russia’s directors still demand our attention, and in this volume they come to life as a powerful resource for today’s theatre makers.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52666768458001,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52666769309969,"sku":"NLS9781474284424","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781474284424.jpg?v=1762280838"},{"product_id":"meyerhold-and-the-cubists-book-amy-skinner-9781783201914","title":"Meyerhold and the Cubists","description":"An innovative exploration of the influence of collage on twentieth- and twenty-first-century theatre, Meyerhold and the Cubists will be essential for theatre scholars and practitioners alike.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52667910684945,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52667911340305,"sku":"NLS9781783201914","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781783201914.jpg?v=1762283712"},{"product_id":"designing-eurovision-book-amy-skinner-9781032718774","title":"Designing Eurovision","description":"Designing Eurovision is the first book-length study of the visual and design elements of the Eurovision Song Contest (ESC).  As a unique visual phenomenon and commonly associated with spectacle performances, the scenography of Eurovision is in reality far more nuanced and layered, balancing acts of national identity-building with host country branding, visual tourism and cross-cultural aesthetics. The event demonstrates how ideological spaces are built across Europe and the wider world, highlighting the function of performance scenography in socio-political nation-building. Although the importance of the visual elements of Eurovision is widely acknowledged, this is the first volume to put ESC design front and centre, discussing the critical and practical aspects of creating performance scenography for this international stage. In addition, the volume highlights the significance of Eurovision in the development of performance technologies, frequently functioning as a test-bed for technological innovations in stage design for broadcast arena events. It also explores the visual design-led elements of the contest (set, costume, lighting and projection) and addresses the broader spatial dynamics of the ESC, exploring the socio-political elements of Eurovision performance space. The fluid relationship between the ESC as live performance and as Europe’s largest televised cultural event opens up additional discussions in the book related to the role of liveness in scenographic practice.  This volume brings a unique focus on the materiality of the Eurovision stage, addressing multipronged topics including the history of ESC technologies, ESC scenography and national identity, ESC aesthetics and design, and the ESC host city as stage. It also incorporates interviews with practitioners who have worked on design elements for the ESC, giving practical perspectives on design at the contest. 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