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Ranging from the 17th-century development of decadent ukiyo-e, or “pictures of the floating world,” to the decline and later resurgence of prints in the early 20th century, the images collected in this edition make up an unmatched record not only of a unique genre in art history, but also of the shifting mores and cultural development of Japan.\u003cbr\u003e\u003cbr\u003eFrom mystical mountains to snowy passes, samurai swordsmen to sex workers in shop windows, each piece is explored as a work of art in its own right, revealing the stories and people behind the motifs. We discover the four pillars of the woodblock print—beauties, actors, landscapes, and bird-and-flower compositions—alongside depictions of sumo wrestlers, kabuki actors, or enticing courtesans—rock stars who populated the “floating world” and whose fan bases fueled the frenzied production of woodblock prints. We delve into the horrifying and the obscure in prints where demons, ghosts, man-eaters, and otherworldly creatures torment the living—stunning images that continue to influence Japanese manga, film, and video games to this day. We witness how, in their incredible breadth, from everyday scenes to erotica, the martial to the mythological, these works are united by the technical mastery and infallible eye of their creators and how, with tremendous ingenuity and tongue-in-cheek wit, publishers and artists alike fought to circumvent government censorship.\u003cbr\u003e\u003cbr\u003eThis two-volume edition in a box, crafted with traditional Japanese binding, presents reproductions of the finest extant impressions from the vaults of museums and private collections across the globe. 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Entitled The (almost) complete Hokusai, it offers an unmatched variety of subjects and techniques: from a landscape of the Kirifuri Waterfall to large-format maps of the Tokaido and Kisokaido roads and the Boso Peninsula; spreads of illustrated books, from his sensual, imaginative erotica (shunga) to drawing manuals such as the fifteen-volume Hokusai manga; and several depictions of animals, from his various woodblock print series on birds and flowers to his later hanging scroll paintings of ducks amidst a flowing stream and a tiger suspended in the snow.The result of an extensive campaign of new photography, this edition has sourced images of artworks from over 100 institutions worldwide. 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The renowned printmaker documents 19th-century Japan with exceptional artistry and adoration, celebrating its countryside, cities, people, and serene natural beauty. Produced at the peak of Hokusai’s artistic ambition, the series is a quintessential work of ukiyo-e that earned the artist world-wide recognition as a leading master of his craft.\u003cbr\u003e\u003cbr\u003eThe prints illustrate Hokusai’s own obsession with Mount Fuji as well as the flourishing domestic tourism of the late Edo period. Just as the mountain was a cherished view for travelers heading to the capital Edo (now Tokyo) along the Tōkaidō road, Mount Fuji is the infallible backdrop to each of the series’ unique scenes. Hokusai captures the distinctive landscape and provincial charm of each setting with a vivid palette and exquisite detail. 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While the artists behind these masterpieces are celebrated worldwide, the many others who played crucial roles in their creation, style, and distribution have long remained overlooked.   \u003cbr\u003e\u003cbr\u003e Publishers were the driving force behind the highly commercial world of Japanese printmaking. They evaluated market demand, commissioned designs from artists, and assumed the financial risks of production. 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Art historian Andreas Marks has scoured museum archives and private collections worldwide to present the finest prints and colored folded screen paintings depicting the dramatic events and personalities that shaped Japan as a nation.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eMarks includes descriptions and striking visual images of over 50 battles and 75 great warriors, including:\u003c\/b\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eThe Battle of Dannoura (1185):\u003c\/b\u003e The final battle of the Genpei War, in which Minamoto forces led by Yoshitsune defeated the Taira fleet led by Tomomori. Emperor Antoku and many Taira committed suicide, spelling an end to the clan and ushering in the Kamakura shogunate.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eThe Battle of Okehazama (1560):\u003c\/b\u003e A decisive battle where Oda Nobunaga's samurai were outnumbered but managed to defeat Imagawa Yoshimoto's larger army. 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