{"title":"Andrew Dickos","description":"\u003cp\u003eDive into the thrilling world of Andrew Dickos, where suspense and mystery intertwine. Perfect for fans of Harlan Coben and Lee Child, discover gripping thrillers that will keep you on the edge of your seat.\u003c\/p\u003e","products":[{"product_id":"street-with-no-name-book-andrew-dickos-9780813122434","title":"Street with No Name","description":"A Choice Outstanding Academic Title  Flourishing in the United States during the 1940s and 50s, the bleak, violent genre of filmmaking known as film noir reflected the attitudes of writers and auteur directors influenced by the events of the turbulent mid-twentieth century. Films such as  Force of Evil,  Night and the City,  Double Indemnity,  Laura,  The Big Heat,  The Killers,  Kiss Me Deadly and, more recently,  Chinatown and  The Grifters are indelibly American. Yet the sources of this genre were found in Germany and France and imported to Hollywood by emigré filmmakers, who developed them and allowed a vibrant genre to flourish.  Andrew Dickos's  Street with No Name traces the film noir genre back to its roots in German Expressionist cinema and the French cinema of the interwar years. Dickos describes the development of the film noir in America from 1941 through the 1970s and examines how this development expresses a modern cinema. Dickos examines notable directors such as Orson Welles, Fritz Lang, John Huston, Nicholas Ray, Robert Aldrich, Samuel Fuller, Otto Preminger, Robert Siodmak, Abraham Polonsky, Jules Dassin, Anthony Mann and others. He also charts the genre's influence on such celebrated postwar French filmmakers as Jean-Pierre Melville, François Truffaut, and Jean-Luc Godard. Addressing the aesthetic, cultural, political, and social concerns depicted in the genre,  Street with No Name demonstrates how the film noir generates a highly expressive, raw, and violent mood as it exposes the ambiguities of modern postwar society.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50010096337169,"sku":"GOR009818189","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":52866534539537,"sku":"CIN0813122430G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0813122430.jpg?v=1751233413"},{"product_id":"intrepid-laughter-book-andrew-dickos-9780813141947","title":"Intrepid Laughter","description":"Throughout his career, Preston Sturges (1898--1959) was known for bringing sophistication and wit to the genre of comedy, establishing himself as one of the most valuable writer-directors in 1940s Hollywood. Today, more than fifty years after they were originally produced, his films have lost little of their edge and remain extremely popular. 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In the process, he ennobled their struggle. His auspicious beginning in Hollywood reached a zenith with his Oscar-nominated screenplay for Robert Rossen's boxing noir, Body and Soul (1947), and his inaugural film as writer and director, Force of Evil (1948), before he was blacklisted during the McCarthy witch hunt.  Polonsky envisioned cinema as a modern artist. His aesthetic appreciation for each technical component of the screen aroused him to create voiceovers of urban cadences--poetic monologues spoken by the city's everyman, embodied by the actor who played his heroes best, John Garfield. His use of David Raksin's score in Force of Evil, against the backdrop of the grandeur of New York City's landscape and the conflict between the brothers Joe and Leo Morse, elevated film noir into classical family tragedy.  Like Garfield, Polonsky faced persecution and an aborted career during the blacklist. 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