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The pivotal figures of Edgar Degas, Henri de Toulouse-Lautrec and Walter Sickert are examined alongside Pierre Bonnard, Henri Fantin-Latour, Sir William Rothenstein, James Tissot, Edourd Vuillard and James McNeill Whistler, bringing together some of the greatest names in avant-garde art of the time. Arranged chronologically, this stunningly illustrated book examines the introduction of Degas's work to the British art world; his influence on a circle of younger artists, most significantly Walter Sickert; the growing influence of French culture on British society and the first exhibitions of the quintessentially Parisian Toulouse-Lautrec in Britain. Finally, the art scene in Paris and London at the opening of the twentieth century is examined, with special reference to the creative union of Sickert, Bonnard and Vuillard, who were all contracted to Paris art-dealers Bernheim Jeune. 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A series of fascinating illustrated essays explore Weber's connections to Matisse, Picasso and Henri Rousseau, showing how the French artists' influence on him was also transmitted to British artists outside of France who shared a common goal. The writers analyse the artistic and personal relationship between Weber and photographer Alvin Langdon Coburn (both important innovators and disseminators of Modernism), and investigate Weber's participation in the 'nameless' 1913 exhibition in London of works by the Grafton Group, which included Vanessa Bell and Wyndham Lewis.  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