{"title":"Antonio Sergio Bessa","description":"\u003cp\u003eDelve into the thought-provoking works of Antonio Sergio Bessa. Explore themes of culture, art, and the human experience through his insightful essays and curatorial perspectives. Start your discovery today.\u003c\/p\u003e","products":[{"product_id":"gordon-matta-clark-book-antonio-sergio-bessa-9780300230437","title":"Gordon Matta-Clark","description":"\"Undoing is just as much a democratic right as doing.\"---Gordon Matta-Clark   This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943–1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term “anarchitecture,” combining “anarchy” and “architecture,” to describe the site-specific works he initially realized in the South Bronx.   The borough’s many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark’s raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou’s construction. This compelling volume grounds Matta-Clark’s practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics.  Published in association with The Bronx Museum of the Arts  Exhibition Schedule:  Bronx Museum of the Arts  (11\/08\/17-04\/08\/18)  Jeu de Paume, Paris  (06\/04\/18-09\/23\/18)  Kumu Kunstimuuseum, Tallinn, Estonia  (03\/01\/19-08\/04\/19)  Rose Art Museum, Waltham, MA  (09\/12\/19-12\/15\/2019)","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49728902168849,"sku":"NGR9780300230437","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300230435.jpg?v=1751038198"},{"product_id":"form-and-feeling-book-antonio-sergio-bessa-9780823289110","title":"Form and Feeling","description":"Winner, 2022 Association of University Presses Book, Jacket, and Journal Show in the Scholarly Illustrated Category    A significant contribution on the development and aftermath of post–World War II Concretism in Brazil  Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country's wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today—namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics.  The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil.  Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49740428837137,"sku":"NGR9780823289110","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51399691305233,"sku":"NIN9780823289110","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53251158016273,"sku":"GOR014830916","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0823289117.jpg?v=1750786192"},{"product_id":"darrel-ellis-book-antonio-sergio-bessa-9788857246871","title":"Darrel Ellis","description":"\u003cp\u003eDuring his short career, Bronx-born Darrel Ellis (1958-1992) created a multifaceted and expansive body of work merging painting, printmaking, photography, and drawing before his premature death due to AIDS-related causes. Ellis's greatest achievement happened in his early twenties, when he was given a group of negatives shot by his father, a postal worker and studio photographer who died in police custody shortly before Ellis was born. The younger Ellis's unique studio practice involved projecting these photographic negatives onto a sculpted surface, masking out areas, and re-photographing them, generating a stream of surrogates that capture the fleeting effects of memory and the experience of disillusion. 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In the late 1960s and 1970s, Wong became an active participant in the thriving countercultural movement in California, where he collaborated with the radical queer performance groups Cockettes and Angels of Light. In 1978, Wong moved to New York where he could play a pivotal role in the arts scene throughout the 1980s and 1990s. Wong's work of that period captures the vibrancy of the Lower East Side: a resilient, multi-ethnic, bohemian community grappling with an advanced process of gentrification. 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Bessa’s account works through the specific poetic innovations that are the hallmark of the concrete poetics the group developed.  These include their unprecedented reevaluation of Brazilian literary history, their distinctive exploration of graphic space inspired by emerging studies on cybernetics, and their embrace of a range of Modernist traditions, from Mallarmé’s vision of poetry as a constellation of words, to Joyce’s concept of the \"verbivocovisual,\" to Pound’s writings about the Chinese ideogram.  Bessa’s account begins with the core traits of concrete poetry developed by the Noigandres poets throughout the 1950s (the so-called \"heroic phase\" of concretism) and continues to the poetic experiments the group undertook after the military coup of 1964 in Brazil. 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