{"title":"Anya Peterson Royce","description":null,"products":[{"product_id":"anthropology-of-dance-book-anya-peterson-royce-9781852730888","title":"The Anthropology of Dance","description":"Dance is a powerful, frequently adopted symbol of the way people feel about themselves.  So concludes the author of this pioneering book, the first general introduction to the anthropology of dance. Since anthropology has broadened its horizons to include Western, industrialized, and urban societies, the study of dance culture may, with equal legitimacy, observe ballet, the Hawaiian hula, the classical tradition of Bharata Natyam, the pigeon wings and polkas of the California gold rush miners, and the minuets of colonial Virginaia planters. Dance makes its unique contribution to society and culture by virtue of its form and expression; at the same time it is intimately bound up with the elements of religion, kinship and social organization, politics, and economics. The fact that dance is inseparable from its means of expression-the human body making patterns in time and space-means that it cannot be divorced from its social and cultural context. The author first explores the various meanings that dance has had over time for different peoples. Next she focuses on the place that dance has occupied in anthropological studies over the past one hundred years. Techniques for studying and recording dance are discussed, including notation systems, field guides, film, and anthropological means of participant- observation. The book then turns to structural and functional analyses, comparing them with reference to their different purposes and capabilities. Part Two presents three perspectives frequently used by anthropologists to view dance: the historical, the comparative, and the symbolic. Extended and fascinating case studies based on the author's research illustrate each of these perspectives: American colonial dance, North American Indian urban powwow dancing, and Zapotec dance of the Mexican isthmus. Part Three discusses two categories of research that will be significant in the future but which have not yet been carefully explored. They are creativity and aesthetics, on the one hand, and communication and meaning, on the other. The author concludes by pointing to some fruitful directions for future research in dance anthropology. ANYA PETERSON ROYCE is Chancellor's Professor of Anthropology and Comparative Literature at Indiana University. She is the author of The Anthropology of Dance; Ethnic Identity: Strategies of Diversity; Movement and Meaning: Creativity and Interpretation in Ballet and Mime, and the forthcoming Anthropology of the Performing Arts: Artistry, Virtuosity, and Interpretation in a Cross-Cultural Perspective. Her former career in classical ballet and her thirty-five years of ethnographic research give her a unique perspective and authority with which to speak about the performing arts as ritual and as theatre.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49528857035025,"sku":"GOR011352965","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1852730889.jpg?v=1751378708"},{"product_id":"anthropology-of-the-performing-arts-book-anya-peterson-royce-9780759102248","title":"Anthropology of the Performing Arts","description":"Anya Peterson Royce turns the anthropological gaze on the performing arts, attempting to find broad commonalities in performance, art, and artists across space, time, and culture. She asks general questions as to the nature of artistic interpretation, the differences between virtuosity and artistry, and how artists interplay with audience, aesthetics, and style. To support her case, she examines artists as diverse as Fokine and the Ballets Russes, Tewa Indian dancers, 17th century commedia dell'arte, Japanese kabuki and butoh, Zapotec shamans, and the mime of Marcel Marceau, adding her own observations as a professional dancer in the classical ballet tradition. Royce also points to the recent move toward collaboration across artistic genres as evidence of the universality of aesthetics. Her analysis leads to a better understanding of artistic interpretation, artist-audience relationships, and the artistic imagination as cross-cultural phenomena. Over 29 black and white photographs and drawings illustrate the wide range of Royce's cross-cultural approach. Her well-crafted volume will be of great interest to anthropologists, arts researchers, and students of cultural studies and performing arts.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49553167876369,"sku":"GOR009630880","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52451094397201,"sku":"NLS9780759102248","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0759102244.jpg?v=1750913987"},{"product_id":"becoming-an-ancestor-book-anya-peterson-royce-9781438436784","title":"Becoming an Ancestor","description":"A striking look at the death rituals of an indigenous community in North America.  Powerful and beautifully written, this is the story of the Isthmus Zapotecs of southern Mexico and their unbroken chain of ancestors and collective memory over the generations. Mortuary beliefs and actions are collective and pervasive in ways not seen in the United States, a resonant deep structure across many domains of Zapotec culture.  Anthropologist Anya Peterson Royce draws upon forty years of participant research in the city of Juchitán to offer a finely textured portrait of the vibrant and enduring power of death in the Isthmus of Tehuantepec of Mexico. Focusing especially on the lives of Zapotec women, Becoming an Ancestor highlights the aesthetic sensibility and durability of mortuary traditions in the past and present. An intricate blending of Roman Catholicism and indigenous spiritual tradition, death through beliefs and practices expresses a collective solidarity that connects families, binds the living and dead, and blurs the past and present.  A model of ethnographic research and presentation, Becoming an Ancestor not only reveals the luminescent heart of Zapotec culture but also provides important clues about the cultural power and potential of mortuary traditions for all societies.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50383227650321,"sku":"CIN1438436785VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52821175697681,"sku":"NLS9781438436784","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1438436785.jpg?v=1751403834"},{"product_id":"anthropology-of-dance-book-anya-peterson-royce-9780253307521","title":"Anthropology of Dance","description":"Dance is a powerful, frequently adopted symbol of the way people feel about themselves.  So concludes the author of this pioneering book, the first general introduction to the anthropology of dance. Since anthropology has broadened its horizons to include Western, industrialized, and urban societies, the study of dance culture may, with equal legitimacy, observe ballet, the Hawaiian hula, the classical tradition of Bharata Natyam, the pigeon wings and polkas of the California gold rush miners, and the minuets of colonial Virginaia planters. Dance makes its unique contribution to society and culture by virtue of its form and expression; at the same time it is intimately bound up with the elements of religion, kinship and social organization, politics, and economics. The fact that dance is inseparable from its means of expression-the human body making patterns in time and space-means that it cannot be divorced from its social and cultural context. The author first explores the various meanings that dance has had over time for different peoples. Next she focuses on the place that dance has occupied in anthropological studies over the past one hundred years. Techniques for studying and recording dance are discussed, including notation systems, field guides, film, and anthropological means of participant- observation. The book then turns to structural and functional analyses, comparing them with reference to their different purposes and capabilities. Part Two presents three perspectives frequently used by anthropologists to view dance: the historical, the comparative, and the symbolic. Extended and fascinating case studies based on the author's research illustrate each of these perspectives: American colonial dance, North American Indian urban powwow dancing, and Zapotec dance of the Mexican isthmus. Part Three discusses two categories of research that will be significant in the future but which have not yet been carefully explored. They are creativity and aesthetics, on the one hand, and communication and meaning, on the other. The author concludes by pointing to some fruitful directions for future research in dance anthropology. ANYA PETERSON ROYCE is Chancellor's Professor of Anthropology and Comparative Literature at Indiana University. She is the author of The Anthropology of Dance; Ethnic Identity: Strategies of Diversity; Movement and Meaning: Creativity and Interpretation in Ballet and Mime, and the forthcoming Anthropology of the Performing Arts: Artistry, Virtuosity, and Interpretation in a Cross-Cultural Perspective. 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Since anthropology has broadened its horizons to include Western, industrialized, and urban societies, the study of dance culture may, with equal legitimacy, observe ballet, the Hawaiian hula, the classical tradition of Bharata Natyam, the pigeon wings and polkas of the California gold rush miners, and the minuets of colonial Virginaia planters. Dance makes its unique contribution to society and culture by virtue of its form and expression; at the same time it is intimately bound up with the elements of religion, kinship and social organization, politics, and economics. The fact that dance is inseparable from its means of expression-the human body making patterns in time and space-means that it cannot be divorced from its social and cultural context. The author first explores the various meanings that dance has had over time for different peoples. Next she focuses on the place that dance has occupied in anthropological studies over the past one hundred years. Techniques for studying and recording dance are discussed, including notation systems, field guides, film, and anthropological means of participant- observation. The book then turns to structural and functional analyses, comparing them with reference to their different purposes and capabilities. Part Two presents three perspectives frequently used by anthropologists to view dance: the historical, the comparative, and the symbolic. Extended and fascinating case studies based on the author's research illustrate each of these perspectives: American colonial dance, North American Indian urban powwow dancing, and Zapotec dance of the Mexican isthmus. Part Three discusses two categories of research that will be significant in the future but which have not yet been carefully explored. They are creativity and aesthetics, on the one hand, and communication and meaning, on the other. The author concludes by pointing to some fruitful directions for future research in dance anthropology. ANYA PETERSON ROYCE is Chancellor's Professor of Anthropology and Comparative Literature at Indiana University. She is the author of The Anthropology of Dance; Ethnic Identity: Strategies of Diversity; Movement and Meaning: Creativity and Interpretation in Ballet and Mime, and the forthcoming Anthropology of the Performing Arts: Artistry, Virtuosity, and Interpretation in a Cross-Cultural Perspective. 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Mortuary beliefs and actions are collective and pervasive in ways not seen in the United States, a resonant deep structure across many domains of Zapotec culture.  Anthropologist Anya Peterson Royce draws upon forty years of participant research in the city of Juchitán to offer a finely textured portrait of the vibrant and enduring power of death in the Isthmus of Tehuantepec of Mexico. Focusing especially on the lives of Zapotec women, Becoming an Ancestor highlights the aesthetic sensibility and durability of mortuary traditions in the past and present. An intricate blending of Roman Catholicism and indigenous spiritual tradition, death through beliefs and practices expresses a collective solidarity that connects families, binds the living and dead, and blurs the past and present.  A model of ethnographic research and presentation, Becoming an Ancestor not only reveals the luminescent heart of Zapotec culture but also provides important clues about the cultural power and potential of mortuary traditions for all societies.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53213708026129,"sku":"NLS9781438436777","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781438436777.jpg?v=1772756789"},{"product_id":"anthropology-of-the-performing-arts-book-anya-peterson-royce-9780759102231","title":"Anthropology of the Performing Arts","description":"Anya Peterson Royce turns the anthropological gaze on the performing arts, attempting to find broad commonalities in performance, art, and artists across space, time, and culture. 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