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The issue features an expansive interview with Juergen Teller, whose photographs upend fashion’s vocabulary of glamour and aspiration, on the occasion of his major exhibition Juergen Teller: i need to live, opening at the Grand Palais Éphémère in Paris on December 16, 2023.  Photographers are natural voyeurs. The compulsion to want—or, in today’s parlance, to manifest—emerges throughout the work in this issue. Artists such as Nakeya Brown, Nabil Harb, Oto Gillen, Marcelo Gomes, and Jonathas de Andrade consider the body, the natural world, beguiling objects, and direct physical expressions of desire as the material for indelible images.  Andrew Maerkle profiles the celebrated Japanese photographer Ishiuchi Miyako, who for decades has conjured history through evocative personal objects, creating magnetic images that are at once surreal and surprisingly physical. Amanda Maddox considers a generation of women photographers whose work probes the feminist dynamics of seeing—and being seen. 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In the Words section, Sérgio Burgisurveys the city's artistic activity across the twentieth century; Natalia Brizuela tells the story of Hercule Florence, who pioneered an early form of photography; Ronaldo Entler presents five politically engaged photography collectives; Cassiano Elek Machado reviews one record of the city's nuances and conflicts as preserved in photobooks; and Silas Martí looks at a new network of independent exhibition venues, residences, and galleries.  The Pictures section features Christopher Phillips on Caio Reisewitz's lush imagery; Heloísa Espada on Geraldo de Barros's post-modern photographs; Agnaldo Farias on Bárbara Wagner's alternate version of Afro-Brazilian performance groups; Tobi Maier introduces conceptual artist Hudinilson Urbano Jr.; Rodrigo Moura on Mauro Restiffe’s photographs of Oscar Niemeyer’s funeral; Ana Maria Maia on Jonathas de Andrade's subtly subversive Education for Adults posters; Sarah Hermanson Meister on Regina Silveira's 1970s photograms; a portfolio of recent work from emerging photographer Sofia Borges; and Claudia Andujar explores the experience of Eastern European immigrants fleeing the Second World War.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50393896452369,"sku":"CIN159711281XG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52687689810193,"sku":"NLS9781597112819","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/159711281X.jpg?v=1751182713"},{"product_id":"latinx-book-aperture-9781597115063","title":"Latinx","description":"This winter, Aperture magazine presents an issue that celebrates the dynamic visions of Latinx photography across the United States. 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In this issue, Jesse Dorris interviews Duane Michals about luck and fate, Marina Warner explores the enduring resonance of the figure of the sleepwalker, and artists including Etienne Courtois, Maja Daniels, and Elliott Jerome Brown Jr. present surreal and imaginative new series. 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Moving beyond hype and hysteria, the essays, interviews, and artist portfolios in this issue provide a crucial resource for understanding the ways in which this fast-evolving technology is reshaping photography’s relationship to creativity, authorship, and truth.  To weigh the risks and possibilities of this transformative change, Aperture has turned to some of the leading thinkers in the field. Artist Trevor Paglen and researcher Kate Crawford demystify the “intelligence” of AI and outline its threats to privacy, democracy, and the planet. Pioneering media theorist Fred Ritchin and journalist Brian Palmer unravel the implications of artificial intelligence on the photographer’s role as a credible witness. Cultural critic Nora N. Khan explains why we need new criteria to interpret generative images. Rob Horning argues for a more complex understanding of photography’s relationship to reality, exposing how the idea of a “real photo” has always been incoherent, while Peter J. Karol delves into the bizarre realm of AI copyright law, examining the unlikely precedents used to develop legal frameworks in the United States.   “The field of photography continually shifts due to emergent technologies, and AI is a big one,” says Michael Famighetti, Aperture’s editor in chief. “It felt important for us to assemble some of the leading voices grappling with the questions, ideas, opportunities, risks, and problems posed by AI. These issues are significant, and they are here to stay. We hope this issue will be a useful reference and resource for our readers.”  “Image Worlds to Come” looks at the past as much as the future. Art historian Noam M. Elcott and technologist Tim Trombley train their own AI model on the Farm Security Administration’s vast and storied archive, mimicking photographers like Dorothea Lange and Gordon Parks with revelatory precision. Artist Minne Atairu examines the racial biases of AI systems in beguiling portraits and imagined continuations of the contested Benin Bronzes, exposing how legacies of colonialism are perpetuated in the datasets of mainstream platforms like Midjourney. And photographer Charlie Engman contributes a portfolio of indelible “cursed images” inspired by a feeling of being “nostalgic for the present.”   The cover of Aperture issue 257 features a work by Trevor Paglen from his 2017 series It Began as a Military Experiment. The project, focusing on machine learning, consists of images taken of US military employees in the mid-1990s that the Department of Defense used to train early facial recognition software, technology that is now embedded in everyday life.  “Photography is the paradigm of human-technology interfaces,” Paglen tells art historian Sarah M. Miller in an extensive interview. “People who think critically about photographs have a great deal to contribute, in terms of trying to conceive of and implement the kind of world that we want to live in, because the world is increasingly hard to distinguish from photography.”  “Image Worlds to Come” begins to map a transformative moment for the medium, as we enter an era that will require us to look harder and deeper at photographs than ever before.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51038622056721,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51038625169681,"sku":"NIN9781597115698","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52681027191057,"sku":"NLS9781597115698","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":53007644786961,"sku":"GOR014692238","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/159711569X.jpg?v=1751023769"},{"product_id":"fashion-aperture-216-book-aperture-9781597112826","title":"\"Fashion\": Aperture 216","description":"In collaboration with Inez \u0026amp; Vinoodh, an exploration of visionary fashion photography.  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Featured for Spring are portfolios from the Gary Winogrand Archive, with curator Leo Rubinfien explaining his new edit to photographer Philip-Lorca diCorcia; Jason Evans' street photography; Eva Respini introducing Michele Abeles; new work by Adam Broomberg and Oliver Chanarin; a dispatch from Magnum’s latest road trip with Alec Soth, Zoe Strauss, Jim Goldberg and Mikhael Subotzky; an introduction to Christopher Williams by Matthew Witkovsky; Andrew Norman Wilson’s project on Google Books; James Welling speaks with Phil Chang; and more. 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The issue toggles between past and present, and between science and art, and features Jennifer Tucker on Victorian science photography, spectacle and rational amusement; Kelley Wilder on what it means for photography to make visible the invisible; Brian Dillon on the cosmic and the mundane; a conversation between artist Trevor Paglen and the eminent science historian Peter Galison; a selection from Harold \"Doc\" Edgerton's lab books; David Campany on photographic abstraction and perception; curator Joel Smith's guide to \"photographic nothing\"; and portfolios by British photographer Stephen Gill, Amsterdam-based artist Eva-Fiore Kovakovsky, curator Lynne Cooke on Horst Ademeit's mysterious annotated Polaroids and much more.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52689103585553,"sku":"NLS9781597112338","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":53343915737361,"sku":"NIN9781597112338","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781597112338.jpg?v=1762334520"},{"product_id":"tokyo-aperture-219-book-aperture-9781597113229","title":"Tokyo: Aperture 219","description":"The vital role of Tokyo at the center of Japanese photography.  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In the Words section, critic Noi Sawaragi and novelist Hideo Furukawa consider the unique character and history of the city in relation to image-making; Ivan Vartanian looks through the pages of popular technical and erotically minded magazines of the ’60s, ’70s, and ’80s to reveal some of the most significant photography produced during those decades; curator Yasufumi Nakamori examines how artists in the late 1960s, working against a backdrop of social upheaval and anxiety about the future, began to experiment with photography and make radical shifts in the art of the period; and scholar Franz Prichard introduces Takuma Nakahira, a key figure in the story of Japanese photography whose contributions remain relatively unknown outside Japan.    In the Pictures section, curator Matthew S. 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The magazine's portfolio section presents new projects that use social media, data mapping, or collaboration to engage on current social-political themes. 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This edition of  Aperture, titled \"Photography as you don't know it,\" leading curators, historians, writers, and publishers introduce ten photographers they believe have been overlooked or are undervalued, and deserve more attention today. Why are some figures remembered and others forgotten?  In the Pictures section, Paul Trevor is introduced by Chris Boot; Seichi Furuya by David Strettell; Maria Sewcz by Britt Salvesen; Len Lye by Geoffrey Batchen; Ken Pate by Carole Naggar; Marianne Wex by David Campany; Ricardo Rangel by Bronwyn Law-Viljoen; Horacio Coppola by Sarah Hermanson Meister; and Rosângela Rennó by Thyago Nogueria.  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Whether depicting haiku-like moments on a remote Japanese island, the ancient forests of California, or the entire Earth, the images gathered in this sweeping yet intimate issue remind us that nature is not separate from humanity, but entwined with our lives in ways that are both mysterious and profoundly urgent.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":53158897287441,"sku":"NLS9781597116015","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":53252260299025,"sku":"NIN9781597116015","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781597116015.jpg?v=1772065477"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-aperture.oembed","provider":"World of Books ","version":"1.0","type":"link"}