{"title":"Aruna D'souza","description":null,"products":[{"product_id":"self-and-history-a-tribute-to-linda-nochlin-book-aruna-d-souza-9780500282502","title":"Self and History: A Tribute to Linda Nochlin","description":"A number of prominent art historians pay homage to Linda Nochlin, the pioneering critic and art historian, in a series of essays addressing the intersection of subjectivity and history. 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In 1979, anger brewed over a show at New York's Artists Space entitled \u003ci\u003eThe Nigger Drawings\u003c\/i\u003e. In 1969, the Metropolitan Museum of Art's exhibition \u003ci\u003eHarlem on My Mind\u003c\/i\u003e did not include a single work by a black artist. In all three cases, black artists and writers and their allies organized vigorous responses using the only forum available to them: public protest.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eWhitewalling: Art, Race \u0026amp; Protest in 3 Acts\u003c\/i\u003e reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world--no less than the country at large--has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. \u003ci\u003eWhitewalling\u003c\/i\u003e takes a critical and intimate look at these three \"acts\" in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAruna D'Souza\u003c\/b\u003e writes about modern and contemporary art, food and culture; intersectional feminisms and other forms of politics; how museums shape our views of each other and the world; and books. Her work appears regularly in \u003ci\u003e4Columns.org\u003c\/i\u003e, where she is a member of the editorial advisory board, as well as in publications including the \u003ci\u003eWall Street Journal\u003c\/i\u003e, \u003ci\u003eARTnews\u003c\/i\u003e, \u003ci\u003eGarage\u003c\/i\u003e, \u003ci\u003eBookforum\u003c\/i\u003e, \u003ci\u003eMomus\u003c\/i\u003e and \u003ci\u003eArt Practical\u003c\/i\u003e. 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Does art that elicits emotional identification with others take us where we need to go? In \u003ci\u003eImperfect Solidarities\u003c\/i\u003e, writer and art historian Aruna D'Souza offers observations pulled from current events as well as contemporary art that suggest that a feeling of understanding or closeness based on emotion is an imperfect ground for solidarity. Empathy--and its correlate, love--is a distraction from the hard work that needs to be done to achieve justice. Rather, D'Souza contends, we need to imagine a form of political solidarity that is not based on empathy, but on the much more difficult obligation of care. When we can respect the unknowability of the other and still care for and with them, without translating ourselves into their terms, perhaps we will fare better at building political bridges.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":50001459151121,"sku":"NGR9783982389486","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51853313671441,"sku":"GOR014428838","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53473811071249,"sku":"GOR014936408","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3982389488.jpg?v=1769248553"},{"product_id":"cezanne-s-bathers-book-aruna-dsouza-9780271032146","title":"Cezanne's Bathers","description":"Discusses an epochal shift in the representation of sexuality in modern art with the images of nudes made by Paul Cezanne. 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