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Elias traces the power of Emanuel's writing and looks at her subtleties in combining intrinsic and formal constraints in poetry with extrinsic and socio-historical methodologies. Elias's analyses of Emanuel's poetic genius culminate in a plethora of references which bring together painters, philosophers, poets, critics, and actors. Thus, the poet's father, the painter Akiba Emanuel, meets Giorgio Agamben, Charles Simic, Gertrude Stein, and Sharon Stone. 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But seldom do we hear about the men who actually built a better Florida. In George Merrick, Son of the South Wind, South Florida historian Arva Moore Parks recounts George Merrick's quest to distinguish himself from the legions of developers who sought only profit.  Helping to create the land boom of the 1920s, Merrick transformed his family's citrus grove just outside of Miami into one of the finest planned communities: the \"\"master suburb\"\" of Coral Gables. With a team of architects and city planners, he built homes for the growing middle class in the Mediterranean Style using local stone, and he invested in public infrastructure by designing and building parks and pools, trolley lines and waterways. He pledged land for a library and the university that would become the University of Miami. Hailed in national publications as a visionary, Merrick was green before green, a New Urbanist before the movement even had a name.  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The book provides a detailed account of the school's development from its founding in 1804 to its centenary in 1904. It offers insights into the educational practices, curricula, and the social context of Jewish education in Germany during the 19th and early 20th centuries. Authored by members of the Realschule der Israelitischen Gemeinde, including Hermann Baerwald and S. Adler, this historical record is an invaluable resource for understanding the evolution of Jewish educational institutions and their role within the broader German society.\u003c\/p\u003e\u003cp\u003eThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. 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