{"title":"Ben Tufnell","description":"\u003cp\u003eDelve into the captivating world of Ben Tufnell, a master of suspense and intrigue. Explore thrilling mysteries and gripping narratives that will keep you on the edge of your seat. Start your reading adventure now!\u003c\/p\u003e","products":[{"product_id":"mythologies-book-ben-tufnell-9781905620357","title":"Mythologies","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49509793038609,"sku":"GOR007001073","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1905620357.jpg?v=1751155420"},{"product_id":"north-shore-book-ben-tufnell-9780349727301","title":"The North Shore","description":"'Brilliant: singular, unsettling and mutative' ROSIE ANDREWS, author of THE LEVIATHAN  'The strange events of this story have haunted me' NAOMI BOOTH  'A beautiful, moving, unexpected novel . . . I will carry it with me for a long time' ELVIA WILK  'A queer, oneiric, watery fable in which narrative form and logic are in constant ﬂux' TIMES LITERARY SUPPLEMENT  You don't pass through the North Shore on the way to anywhere else: it is the end of the road. The village was like many along that wild coast; inhabited by those who had always lived there, and always would.  The residents know nature's tempestuous ways. They batten down the hatches when the storms rip through, and they clear the debris together in the aftermath.  But the morning after one particularly ferocious storm, something is washed up on the beach that has never appeared before. Something that opens the question of what nature, and the North Shore, are truly capable of.  The North Shore is both a powerful story of transformation and a coming-of-age tale. It speaks of the mysteries that lie between the land and the water and the ways in which we use myths and folklore to understand the strangeness of the world.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49548041158929,"sku":"GOR013049872","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49740858294545,"sku":"NGR9780349727301","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49778008162577,"sku":"GOR013148230","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":52946016207121,"sku":"GOR014662561","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0349727309.jpg?v=1751438252"},{"product_id":"bacon-in-st-ives-book-ben-tufnell-9781854377524","title":"Bacon in St.Ives","description":"Francis Bacon is seen internationally as one of the greatest of all British painters, forever connected in the public mind with the city of London. Up to this point little has been known, or written, about the months he spent in the isolated fishing settlement of St Ives, in Cornwall; nonetheless this book demonstrates that this period of seclusion played a vital part in the genesis of his next creative step. Following his first one-man show at London's I.C.A. in 1955 Bacon came to the attention of a wide audience for the first time. He decided to sever his connection with the Hanover Gallery and was taken on by Marlborough Fine Art in 1958. Encouragement to spend time in St Ives came from his new gallerists, who were well aware of his unpredictable lifestyle in London and concerned that he concentrated on creating new work for their exhibition. They secured him a studio at No.3, Porthmeor Studios, St Ives, where he stayed between September 1959 and January 1960. This book, that accompanies a Tate St Ives exhibition focusing on Bacon's art between 1957 and 1962, presents a number of the works he painted whilst in St Ives together with a selection of paintings and drawings made both shortly before and after this period. Bacon's concentration during this time on the solitary figure lying down, sleeping or walking, and his experimentation with brush strokes, colour, and chiaroscuro to create an illusion of a \"moulded\" form or face, is presented as a result of the important explorative time the painter spent in St Ives.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49583751168273,"sku":"GOR002914166","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":51214217478417,"sku":"GOR014200546","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1854377523.jpg?v=1751451241"},{"product_id":"at-the-very-edge-of-the-ocean-histor-book-ben-tufnell-9781854376954","title":"At the Very Edge of the Ocean: Histor","description":"The story of the Porthmeor Studios is fundamental to the story of the development of modern art in St Ives. In this first documented study, Ben Tufnell documents the development of the studios over the past century and the wide variety of artists who have worked there, including Ben Nicholson, Patrick Heron and Francis Bacon.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49608744665361,"sku":"GOR005324800","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50052545315089,"sku":"GOR007193725","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1854376950.jpg?v=1751412032"},{"product_id":"north-shore-book-ben-tufnell-9780349727318","title":"The North Shore","description":"'Brilliant: singular, unsettling and mutative' ROSIE ANDREWS, author of THE LEVIATHAN  'The strange events of this story have haunted me' NAOMI BOOTH  'A beautiful, moving, unexpected novel . . . I will carry it with me for a long time' ELVIA WILK  'A queer, oneiric, watery fable in which narrative form and logic are in constant ﬂux' TIMES LITERARY SUPPLEMENT  You don't pass through the North Shore on the way to anywhere else: it is the end of the road. The village was like many along that wild coast; inhabited by those who had always lived there, and always would.  The residents know nature's tempestuous ways. They batten down the hatches when the storms rip through, and they clear the debris together in the aftermath.   But the morning after one particularly ferocious storm, something is washed up on the beach that has never appeared before. Something that opens the question of what nature, and the North Shore, are truly capable of.  The North Shore is both a powerful story of transformation and a coming-of-age tale. 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Gathering together texts published since 2002, as well as specially written new essays, In Land traces recent engagements with landscape, nature, environment and the cosmos.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49780282360081,"sku":"NGR9781789040500","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50946444984593,"sku":"GOR012251018","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1789040507.jpg?v=1750866057"},{"product_id":"land-art-book-ben-tufnell-9781854376046","title":"Land Art","description":"In the mid- to late 1960s, a group of young artists on both sides of the Atlantic turned away from the enclosed space of the gallery, and went out into the landscape, to make a new type of art. 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The methodology and motivations of the artists examined are many and various. They include the importance of walking to Richard Long and Hamish Fulton; the manipulation of natural light by James Turrell and Robert Morris; sculptures made in the landscape by Andy Goldsworthy and Nils-Udo; the garden of Ian Hamilton Finlay and the Meadow of Herman de-Vries; the political consciousness of Ana Mendiata and Alan Sonfist; and the social activism of Joseph Beuys. Contemporary artists, including Francis Alys and Tacita Dean, whose work is informed by the themes and traditions of Land Art, are also included.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49926165528849,"sku":"CIN1854376047G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49974575104273,"sku":"GOR004396745","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":51564695224593,"sku":"GOR006564752","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51693730726161,"sku":"CIN1854376047VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1854376047.jpg?v=1751422022"},{"product_id":"cedric-morris-and-lett-haines-book-ben-tufnell-9780903101691","title":"Cedric Morris and Lett Haines","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50143679873297,"sku":"GOR003892775","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":51488176079121,"sku":"GOR014300402","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0903101696.jpg?v=1750915491"},{"product_id":"richard-long-book-ben-tufnell-9781905620159","title":"Richard Long","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50168263639313,"sku":"GOR007364397","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/B004U0P8K8.jpg?v=1750725672"},{"product_id":"prunella-clough-book-ben-tufnell-9781854376992","title":"Prunella Clough","description":"I like to paint a small thing edgily. (Prunella Clough) A private individual who chose to remain out of the limelight and yet was admired so highly by her peers, Prunella Clough (1919-1999) was one of the best and most original artists to emerge in the second half of this century. Clough's paintings and graphic work are unique in British art for the way in which they penetrate beyond the surface topography of time and place in England in the past five decades. Industrial tips or artisans' dumping grounds with rusting, abandoned machine parts or broken implements often provided Clough with inspiration, but her sources were always seen, and abstractly revealed, in close-up. A discarded handful of old nails and fragments of wire mesh were enough, rather than the big bulk of a machine: the parts seemed more eloquent to her than the whole. This publication explores the relationship between Clough's early and late work, examining the interesting connections which emerge. 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