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What are all those midshipmen, future officers in the U.S. Naval and Marine Corps and leaders of our society, thinking as they stand in neat ranks at the parades beloved by tourists? What are their professors actually educating them to do.   In Annapolis Autumn, Bruce Fleming, professor of English for nearly two decades at the academy and a prizewinning author, captures the sights, sounds, colors, and conversations of this tradition-steeped institution.   In other classes, the cadets learn how to assemble guns, control armored vehicles, man battleships, and kill other human beings. Nothing is ever less than \"outstanding, sir!\" In English class, however, Fleming introduces his students to nuance and subtext, to the gay poets of World War I, and to the idea that not every piece of literature is designed to be \"motivational.\" Sharing stories from his twenty years at the academy, Fleming explores questions about teaching, the labels \"liberal\" and \"conservative,\" and the ultimate purpose of higher education—issues made all the more gripping at a time when many of his students will graduate from the classroom to the battlefield.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50299228127505,"sku":"CIN1595580026G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52689771331857,"sku":"NLS9781595580023","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52782926037265,"sku":"CIN1595580026VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1595580026.jpg?v=1751182434"},{"product_id":"masculinity-from-the-inside-book-bruce-fleming-9781032191478","title":"Masculinity from the Inside","description":"Based on the author's experience of teaching young men at a military academy, this book rejects the vocabulary and presuppositions of discourses surrounding men and engages with the ways in which men understand themselves, seeking to address the gulf that exists between theoretical accounts of masculinity and men's own experiences.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51017675473169,"sku":"NIN9781032191478","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52483442802961,"sku":"NLS9781032191478","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1032191473.jpg?v=1750919501"},{"product_id":"academia-versus-the-world-outside-book-bruce-fleming-9781032734590","title":"Academia versus the World Outside","description":"Academia versus the World Outside lays out the givens of the knowledge industry located within the ivory tower, colleges and universities. It then moves outside academia to consider this restricted world the way most people see it. The contrast between these two views of academia explains and is at the basis of the left–right animosity of our day.  The knowledge industry, a creation of the post-Enlightenment modern age along with other industrial and post-industrial enterprises, is based on creating and adding to a store of knowledge as its own end. This makes academia alien to the more random and personal nature of knowledge acquisition in our everyday lives, as indeed every industry is alien to everyday life in the modern age. Yet most academics are so immersed in the peculiar project they have chosen as their life’s work that they are either unaware of or unsympathetic to the fact that people outside live very different lives with very different presuppositions. Most non-academics, for their part, find academia strange, and for very good reason. Academia versus the World Outside makes this contrast and conflict clear from both directions.  This book is aimed primarily at academics, most of whom so take for granted the givens of what they do that they fail to understand why the vast majority of people outside find academia alien. This has led to an increasingly hostile and utterly predictable left–right political conflict, academia tending increasingly left and the world outside increasingly right. The goal of this book is to reduce the tension between both sides: if read by non-academics, this book may help these understand the givens of a world as strange to everyday life as any other specialized industry in the modern age.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51108041130257,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51108044144913,"sku":"NIN9781032734590","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52599918297361,"sku":"NLS9781032734590","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1032734590.jpg?v=1750887222"},{"product_id":"what-does-art-mean-now-book-bruce-fleming-9781032446837","title":"What Does 'Art' Mean Now?","description":"This book explores the meaning of art in contemporary society, adopting a subjectivist approach to aesthetic experience now that art is no longer treated as a separate sphere of activity, to be confined to institutions such as the academy or museums as in the Modern Age.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51196254978321,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51196257599761,"sku":"NIN9781032446837","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52593425416465,"sku":"NLS9781032446837","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1032446838.jpg?v=1751111798"},{"product_id":"what-does-art-mean-now-book-bruce-fleming-9781032446820","title":"What Does ‘Art’ Mean Now?","description":"What Does ‘Art’ Mean Now? asks, and answers, fundamental questions about the nature of aesthetic experience and role of the arts in contemporary society. The Modern Age, Romanticism and beyond, viewed art as something transcending and separated from life, and usually something encountered in museums or classrooms. Nowadays, however, art tends to be defined not by a commonly agreed-upon standard of “quality” or by its forms, such as painting and sculpture, but instead by political and ideological criteria. So how do we connect with the works in museums whose point was precisely that they stood apart from such considerations? Can we and should we be educated to “appreciate” art—and what does it do for us anyway? What are we to make of the so-different newer works—installations, performances, excerpts from the world—held to be art that increasingly make it into museums? Adopting a subjectivist approach, this book argues that in the absence of a universal judgment or standard of taste, the experience of art is one of freedom. 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Whether or not these two groups can continue to co-exist under the umbrella of American democracy depends on their willingness to adhere to the basic principals of democracy.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52120025104657,"sku":"NLS9780761828648","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780761828648.jpg?v=1757423456"},{"product_id":"journey-to-the-middle-of-the-forest-book-bruce-fleming-9780761838937","title":"Journey to the Middle of the Forest","description":"What is the taste of life as we really live it, rather than the way we imagine it in others? What does it feel like to become aware of the hand of cards we've been dealt, to play them as well as we can, to understand what has happened to us, and to try to control the future? Journey to the Middle of the Forest answers these questions in a way that celebrity memoirs, where events seem so much more intense than happenings in our own lives because of our perspective and the writer's fame, cannot.  In Journey to the Middle of the Forest, Bruce Fleming considers the slippages between presupposition and reality in a life begun and continued in Maryland, with intervals in pre-civil war Rwanda, the walled-in city of West Berlin, and the central European Freiburg im Breisgau, once Austrian, then part of the Duchy of Baden, now part of Germany. Like all lives, it has its crises—more, it may be, than an average life: a childhood marked by an alcoholic and abusive father, a marriage gone horribly awry, an autistic child and a bipolar stepchild, a dragged-out divorce, the death of a brother to AIDS, and the re-tooling of hopes to meet the new givens of the world. And, then re-marriage, two little boys, and the threat of childhood leukemia.  Fleming's intense and vivid memoir asks us to consider this fundamental question: Do we gain wisdom as we age? We may tell ourselves we do, as a way of summarizing what's happened to us: we figure everything we've been through has to be good for something. But if we do become wiser, it's not with a wisdom that can help us with any subsequent challenge-and the challenges never cease. Life gets no easier as we age, we just get deeper into the forest.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52120826151185,"sku":"NLS9780761838937","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780761838937.jpg?v=1757427452"},{"product_id":"democracys-achilles-heel-book-bruce-fleming-9781032660059","title":"Democracy’s Achilles Heel","description":"Democracy’s Achilles Heel argues that the structure of democracy is a combination of two incompatible worldviews: one relativist and liberal, the other absolutist and conservative. This combination of opposites is essential for its survival, yet places democracy at risk since each worldview is prone to trying to engulf the other, creating threats from both the right and the left. This is democracy’s Achilles heel: it never goes away and can only be avoided. The nature of open societies means that absolutisms, for example of a religious kind, can exist quite comfortably within democracy, yet for democracy to succeed, they must permit other belief systems and worldviews, absolute or otherwise, to exist alongside them. Likewise, relativism can undermine the liberal nature of democracy itself in seeking to reduce the existence of absolutisms to nothing, thus threatening freedom and destabilizing democracy. Reacting to the recent clashes in Western democracies between left and right, and drawing on the theories of such now-classic thinkers as Fromm, Berlin, and Hoffer, as well as more recent sources such as Levitsky and Ziblatt’s How Democracies Die, the author moves beyond the usual defenses of democracy, accepting the fact that democracy, because of its combination of opposites, is always unstable and always at risk, while urging those who live within democratic polities to strengthen its chances of survival by remembering its fundamental value and purpose. 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They probably exhibit a \"go get 'em\" attitude for most of their lives, but find themselves stumped by a blank computer screen or a piece of paper. What, they wonder, do I do now? What's my next word, next sentence? But their problems aren't solved by somebody telling them what to do, only by someone helping them figure things out themselves. As the adage says: give a person a fish and s\/he eats that day; teach a person to fish and s\/he eats for life. They need a little help from Bill the Goat.  Bill is the mascot of the U.S. Naval Academy, where Bruce Fleming has taught literature and writing for over twenty years. Bill is the fellow, or at least the old goat, who's reading what you've written. The secret to answering your question, \"What do I do now?\" is seeing writing not from your own perspective, but from Bill's. Learning to write is difficult, like learning to act. What you feel doesn't matter, only what it looks like to the audience. Your audience is Bill.   Bill the Goat's Adult Refresher Guide to Writing isn't a reference book, to be kept tucked into your office bookshelf for crisis management. Even its grammar section is different from usual grammar brush-ups. It's a book to be read and internalized, a book to re-align the way you conceive. It's a book for the beach, the porch, the subway, or an armchair. It's fun to read. You're the Bill for this book, after all. It's for students and executives, leaders and followers, everybody who has to communicate effectively in writing. You don't even have to hide this book behind another when you read it. There's no shame in a refresher course from Bill. He's your buddy, and he's here to remind you that when you make mistakes, he pays the price. This is grammar without guilt, syntax without a sense of sin. It's pure pragmatics. 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The Aesthetic Sense of Life considers and answers to questions such as these in clear, readable prose, offering a way of looking at life that makes clear its value and its meaning.  The aesthetic sense of life is neither the viewpoint of the saints—for whom the sensations of the world are mere murmuring and illusion—nor the viewpoint of those completely fulfilled by their things, their gadgets, the particulars of their own lives. Most of us fall in the middle between these two extremes: we appreciate, say, a good cup of coffee, a power tool, a new set of towels, or a juicy steak, but don't think the answer to the riddle of existence is to be found in any of these. We appreciate them without thinking them sufficient. What's missing from them? What's missing is this: a sense that they can give meaning to life.   The Aesthetic Sense of Life proposes that meaning is found not in these particulars, but in consciousness of the patterns they form. The feel of our towels or the taste of our coffee is just for us. Others have their own sensations, so they don't need ours. What we can share with other people, and thus use to re-establish the bonds of human warmth, are the patterns made by these particulars, something others can appreciate as well. 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Most closely allied with Strange Interlude but with echoes as well of Long Day's Journey Into Night and Morning Becomes Electra, Homage to Eugene O'Neill breathes new life into an epic sweep of familial history: the rise, fall, and perhaps rise again of a family of North Carolina industrialists-a family which may have bought its success by sacrificing its son to war, a family of weak men and strong women, a family that both embraces and tries to understand its tumultuous fate. 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