{"title":"Caroline Fowler","description":null,"products":[{"product_id":"expanded-field-of-conservation-book-caroline-fowler-9780300266948","title":"The Expanded Field of Conservation","description":"A global reconsideration and broadening of the definition of art conservation through the lenses of theory, ethics, culture, and history   Thought-provoking and timely, this volume challenges inherited thinking on art conservation practice and purposefully reconsiders the definition of the field. Scholars from around the world discuss topics including the conservation of global painting practices, cold storage and digitization, conservation within institutions, and the decolonization of art conservation. The authors seek to broaden the scope of conservation practice and challenge the boundaries that set it apart from art history and art making. They thoughtfully consider the implications of conservation beyond museum walls. This volume in the esteemed Clark Studies in the Visual Arts maintains the series’s tradition of providing a nuanced reckoning with vital themes in the field.  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Whereas the sixteenth-century image debates in Europe engaged with crises around the representation of divinity, Fowler argues that the rise of the transatlantic slave trade created a visual field of uncertainty around picturing the transformation of life into property. Fowler demonstrates how the emergence of landscape, maritime, and botanical painting were deeply intertwined with slavery amp rsquo s economic expansion. Moreover, she considers how the development of one of the first art markets was inextricable from the trade in human lives as chattel property. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler demonstrates that ideas about property, personhood, and citizenship were central to the oeuvres of artists such as Rembrandt van Rijn, Hercules Segers, Frans Post, Johannes Vermeer, and Maria Sibylla Merian and therefore inescapably within slavery amp rsquo s grasp.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51235326591249,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51235326689553,"sku":"NGR9781478031321","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51879206387985,"sku":"NIN9781478031321","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52599349477649,"sku":"CIN1478031328VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1478031328.jpg?v=1769853278"},{"product_id":"breaking-the-silence-book-caroline-fowler-9780300282276","title":"Breaking the Silence","description":"A collection of essays that think with, against, and beside the intellectual questions that have engaged Michael Ann Holly throughout her storied career     American scholar Michael Ann Holly (b. 1944) has devoted a decades-long career to the historiography and theory of art history. Some of the ideas with which she has grappled include the impossible material presence and experience of loss that drives the discipline of art history; the role of writing in art history and the never-ceasing tension language and objects; and melancholy, loss, and historical inquiry. For this exciting volume, more than a dozen of the top art historians working today were invited to think creatively about writing art history while engaging in intellectual conversation with Holly. The book’s essays offer new and unsettling questions rather than tacitly reproducing canonized knowledge.     Distributed for the Clark Art Institute","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51595418566929,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51595418763537,"sku":"NGR9780300282276","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300282273.jpg?v=1751985481"},{"product_id":"art-of-paper-book-caroline-fowler-9780300246025","title":"The Art of Paper","description":"The untold story of how paper revolutionized art making during the Renaissance, exploring how it shaped broader concepts of authorship, memory, and the transmission of ideas over the course of three centuries   In the late medieval and Renaissance period, paper transformed society—not only through its role in the invention of print but also in the way it influenced artistic production. The Art of Paper tells the history of this medium in the context of the artist’s workshop from the thirteenth century, when it was imported to Europe from Africa, to the sixteenth century, when European paper was exported to the colonies of New Spain. In this pathbreaking work, Caroline Fowler approaches the topic culturally rather than technically, deftly exploring the way paper shaped concepts of authorship, preservation, and the transmission of ideas during this period. This book both tells a transcultural history of paper from the Cairo Genizah to the Mesoamerican manuscript and examines how paper became “Europeanized” through the various mechanisms of the watermark, colonization, and the philosophy of John Locke. Ultimately, Fowler demonstrates how paper—as refuse and rags transformed into white surface—informed the works for which it was used, as well as artists’ thinking more broadly, across the early modern world.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51693975699729,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":51693976486161,"sku":"CIN0300246021G","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300246021.jpg?v=1750813032"},{"product_id":"slavery-and-the-invention-of-dutch-art-book-caroline-fowler-9781478028093","title":"Slavery and the Invention of Dutch Art","description":"In Slavery and the Invention of Dutch Art, Caroline Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art. Whereas the sixteenth-century image debates in Europe engaged with crises around the representation of divinity, Fowler argues that the rise of the transatlantic slave trade created a visual field of uncertainty around picturing the transformation of life into property. Fowler demonstrates how the emergence of landscape, maritime, and botanical painting were deeply intertwined with slavery's economic expansion. Moreover, she considers how the development of one of the first art markets was inextricable from the trade in human lives as chattel property. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler demonstrates that ideas about property, personhood, and citizenship were central to the oeuvres of artists such as Rembrandt van Rijn, Hercules Segers, Frans Post, Johannes Vermeer, and Maria Sibylla Merian and therefore inescapably within slavery' grasp.","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":52387947675921,"sku":"NIN9781478028093","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781478028093.jpg?v=1769853469"},{"product_id":"drawing-and-the-senses-book-caroline-fowler-9781909400399","title":"Drawing and the Senses","description":"Jusepe Ribera (1591-1652), Guercino (1591-1666), Stefano della Bella (1610-1664), Abraham Bloemaert (1566-1651), and Peter Paul Rubens (1577-1640) all created printed drawing lessons dedicated to the practice and theory of drawing. These artists composed wordless compositions on a page of eyes, ears, hands, mouths and noses, configurations that were ostensibly meant to teach the practice of drawing. Yet as this book argues, these were not only pedagogical treatises on practice but also theoretical works on draftsmanship made by the most influential European draftsmen. This book is the first theoretical consideration of these major works. Reading these treatises in the context of an early modern intellectual history of the senses, this book examines how artists visually theorized the process of producing knowledge through making lines on a page. Beginning with the pedagogical treatises of Albrecht Durer and progressing through the pedagogical writings, drawings, and printed drawing books of early-modern draftsmen, this book traces a history of the senses and drawing, demonstrating how shifting concepts of the body, divinity and god changed the processes by which artists conceived of drawing the world, themselves and others.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52681811362065,"sku":"NLS9781909400399","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781909400399.jpg?v=1762316596"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-caroline-fowler.oembed","provider":"World of Books ","version":"1.0","type":"link"}