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Brunsdon traces how film-makers show that a film is set in London, how films have charted London's shift from imperial capital to global city and challenges the view that London is not a cinematic city.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49505539621137,"sku":"GOR011915526","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49557180514577,"sku":"GOR006583125","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50391719346449,"sku":"CIN1844571831G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1844571831.jpg?v=1761646607"},{"product_id":"television-cities-book-charlotte-brunsdon-9780822369202","title":"Television Cities","description":"In Television Cities Charlotte Brunsdon traces television's representations of metropolitan spaces to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban. Brunsdon shows how the BBC's presentation of 1960s Paris in the detective series Maigret signals British culture's engagement with twentieth-century modernity and continental Europe, while various portrayals of London—ranging from Dickens adaptations to the 1950s nostalgia of Call the Midwife—demonstrate Britain's complicated transition from Victorian metropole to postcolonial social democracy. Finally, an analysis of The Wire’s acclaimed examination of Baltimore, marks the profound shifts in the ways television is now made and consumed. Illuminating the myriad factors that make television cities, Brunsdon complicates our understanding of how television shapes perceptions of urban spaces, both familiar and unknown.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49542038585617,"sku":"GOR013746056","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49732233330961,"sku":"NGR9780822369202","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0822369206.jpg?v=1761386554"},{"product_id":"films-for-women-book-charlotte-brunsdon-9780851701554","title":"Films for Women","description":"This stimulating collection of articles traces the important shifts in the debates about women and film since the late 1960s. 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Various groups of feminists, with diverse concerns and aims, are now mobilising as film-makers, distributors and exhibitors, giving a new meaning to the notion of films for women.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49610551197969,"sku":"GOR003794391","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51743712575761,"sku":"CIN0851701558VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0851701558.jpg?v=1750747117"},{"product_id":"feminist-television-criticism-book-charlotte-brunsdon-9780198711537","title":"Feminist Television Criticism","description":"No other body of critical thought has had the so profound effect on the study of television as feminism. Moreover, the nature of feminist inquiry and explorations of the 'feminine', have had to keep pace with an increasingly complex relationship between television programming, production, and audiences, contemporary theory, and late twentieth-century society. Feminist Television Criticism compiled and edited by three outstanding scholars in their field is an anthology which explores that complexity. Most of the pieces selected deal with genres and topics that have been the dominant subjects of feminist television analysis-soaps, telenovelas, serials, sitcoms, housewives, new women heterosexual and lesbian romances, female audiences, and domesticity. Throughout, the focus of the selection is on feminist genres and how feminist critical understanding has developed in a historical perspective. The articles treat such well-known programmes as LA Law, Roseanne, Ophrah, Inspector Morse, as well as such issues as the use of videos, advertising, gender politics, and ethnic and cultural identities. Section introductions contextualize the materials selected and there is an overall Introduction which maps out the most important issues in the field. Feminist Television Criticism will be an important teaching and study resource for all students and scholars working in the field of television studies, media studies, gender studies, and cultural studies and is the first volume in a new major series, Oxford Television Studies.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49623385932049,"sku":"GOR002591782","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0198711530.jpg?v=1751164967"},{"product_id":"everyday-television-nationwide-book-charlotte-brunsdon-9780851700809","title":"Everyday Television \"Nationwide\"","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49656545476881,"sku":"GOR004933874","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49658890453265,"sku":"GOR001956969","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0851700802.jpg?v=1751330514"},{"product_id":"feminist-the-housewife-and-the-soap-opera-book-charlotte-brunsdon-9780198159810","title":"The Feminist, the Housewife, and the Soap Opera","description":"The Feminist, the Housewife, and the Soap Opera traces the history of the feminist engagement with soap opera using a wide range of sources from programme publicity to interviews with key soap opera scholars. 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Completely revised and updated throughout, it takes into account the changes in the television industry, the academic field of television studies and the culture and politics of feminist movements.With fifteen of the eighteen extracts being new to the second edition, the readings offer a detailed analysis of a wide range of case studies, topics and approaches, including genres, audiences, performers and programmes such as  'Sex and the City', ‘Prime Suspect’, Oprah and Buffy.With a new introduction to the volume tracing developments in the field and introductions to each thematic section, the editors engage in a series of debates surrounding the main issues of feminist television scholarship.  They explore how television represents feminism and consider how critics themselves have created feminism and post-feminism as historical categories and political identities. Readings consider women who are engaged in various aspects of television production on both sides of the camera and examine how television targets and imagines its female audience, as well as how women respond to and use television in their everyday lives.   Feminist Television Criticism is inspiring reading for film, media, cultural and gender studies students.Contributors: Ien Ang, Jane Arthurs , Sarah Banet-Weiser ,Karen Boyle, Marsha F. Cassidy,  Geok-lian Chua ,Bonnie J. Dow, Joanne Hollows, Deborah Jermyn , Annette Kuhn, Elizabeth MacLachlan, Purnima Mankekar, Tania Modleski, Laurie Ouellette, Yeidy M. Rivero, Lee Ann Roripaugh, Beretta E. Smith-Shomade, Kimberly Springer, Ksenija Vidmar-Horvat,  Susan J. 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Newman, directed by Les Blair and produced by Tony Garnett, Law and Order challenges the comfortable world of the television police series to reveal the proximity of police and villains in a world of deals, set-ups and mutually advantageous financial arrangements. The 1978 series, shot in a low-key naturalistic style, was so controversial when first broadcast that the BBC could neither repeat nor export it, and BBC news teams were excluded from prisons. Now available on DVD, Law and Order is, Charlotte Brunsdon argues, an 'absent classic' in the history of British television drama.  This carefully-researched and elegantly-argued study offers close analysis of the four films, while also showing how Law and Order comments on contemporary criminal justice scandals and exploring the outrage that the broadcasts caused the year before the election of the 1979 Thatcher government. It uses interviews with the makers of the programmes to show how the films were made, and original archive research about the BBC's response to the subsequent protests in a period of political instability.   Charlotte Brunsdon argues that now the shocking claims of the series have been accepted as 'true enough', it is time to recognise its aesthetic achievement, and restore Law and Order to its place within the canon of great British television drama. Law and Order offers a much bleaker vision of 1970s policing than Life on Mars and re-runs of The Sweeney, and this study shows how the series draws on the tradition of 'serious television drama' and the popular police series to change ideas about both television serial drama and British criminal justice.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51831022715153,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51831022747921,"sku":"GOR007950248","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781844572946.jpg?v=1752852881"},{"product_id":"screen-tastes-book-charlotte-brunsdon-9780415121552","title":"Screen Tastes","description":"Charlotte Brundson's key writings on film and television are bought together with new introductions which contextualise and update the arguments.  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