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In a comparative analysis of British and North American television soaps, Christine Geraghty examines the relationship between the narratives on the screen and the women viewers who make up the traditional soap audience.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49589913846033,"sku":"GOR001845427","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":49617652941073,"sku":"CIN0745605680G","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52402389516561,"sku":"NLS9780745605685","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53345155547409,"sku":"GOR002050329","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0745605680.jpg?v=1751263507"},{"product_id":"british-cinema-in-the-fifties-book-christine-geraghty-9780415171588","title":"British Cinema in the Fifties","description":"In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49615106048273,"sku":"GOR003545251","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":50537510732049,"sku":"GOR006020766","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52138100293905,"sku":"NLS9780415171588","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/041517158X.jpg?v=1751425574"},{"product_id":"my-beautiful-laundrette-book-christine-geraghty-9781850434146","title":"\"My Beautiful Laundrette\"","description":"Described by Stuart Hall as 'one of the most riveting and important films produced by a black writer in recent years', My Beautiful Laundrette was a significant production for its director Stephen Frears and its writer Hanif Kureshi. Omar, member of a Pakistani family 'getting ahead' in 1980s Thatcher's Britain is charged to make over a rundown launderette, and in the process falls in love with the brooding Johnny (Daniel Day Lewis in career-making form). Christine Geraghty interrogates My Beautiful Laundrette as a crossover film: between television and cinema, realism and fantasy, and as an independent film targeting a popular audience. She deftly shows how it has remained an important and watchable film in the 1990s and early 2000s and her exploration of the film itself is a remarkable, original and entertaining achievement.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50509215006993,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50509216710929,"sku":"GOR005887407","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52678818070801,"sku":"NLS9781850434146","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/B0082PW3B4.jpg?v=1751466937"},{"product_id":"now-a-major-motion-picture-book-christine-geraghty-9780742538214","title":"Now a Major Motion Picture","description":"Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall-elements that many movie critics tend to forget when focusing solely on faithfulness to the written word.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52450979905809,"sku":"NLS9780742538214","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52771318694161,"sku":"GOR003977173","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780742538214.jpg?v=1778147954"},{"product_id":"british-cinema-in-the-fifties-book-christine-geraghty-9780415171571","title":"British Cinema in the Fifties","description":"In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. 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