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In addition, since 1969, the drama of Northern Ireland, on and off the stage, has claimed world-wide attention. Preoccupied with questions of identity and national self-realisation, it was only after the achievement of independence in 1922 that the theatre assumed a more critical, analytic and demythologising role in society. It retained, however, the notion of a dynamic, of a system of beliefs open to wider possibilities than the established ideology fostered and controlled, keeping alive the idea of cultural revolt and renewal. Thus Irish drama owes its imaginative power to both its energetic involvement with the cultural transformations, as well as to more acceptable modes of representation and critique. This volume provides a perfect overview of a nation's theatre read in the light of a nation's self-definition. 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