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Twelve Voices investigates these tantalizing questions, showing how these great figures from classical antiquity still address some of our most fundamental concerns in the world today (of war and courage, dictatorship and democracy, empire, immigration, city life, art, madness, irrationality, and religious commitment), and express some of our most personal sentiments (about family and friendship, desire and separation, grief and happiness).   These twelve classical voices can sound both compellingly familiar and startlingly alien to the twenty-first century reader. 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These texts are themselves among the most skilled and highly wrought productions of a brilliant rhetorical culture. How is the historian to use them? This book addresses this problem by taking a series of extended test-cases, and discussing how we should and should not try to exploit the texts. In some instances we can investigate 'what really happened', and the ways in which the texts manipulate, remould, or colour it according to their own rhetorical strategies; in others the most illuminating aspect may be those strategies themselves, and what they tell us about the culture - how it figured questions of sex and gender, politics, citizenship and the city, the law and the courts and how wars happen. Literary Texts and the Greek Historian concentrates on Athens in the second half of the fifth-century, when many of the principal genres came together, but includes some examples from earlier (Aeschylus ^Oresteia\u0026gt;) and later (including Aristotles poetics). 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Chistopher Pelling and Maria Wyke provide a vibrant and distinctive introduction to twelve of the greatest authors from ancient Greece and Rome, writers whose voices still resonate strongly across the centuries: Homer, Sappho, Herodotus, Euripides, Thucydides, Plato, Caesar, Cicero, Virgil, Horace, Juvenal and Tacitus.   To what vital ideas do these authors give voice? And why are we so often drawn to what they say even in modern times? Twelve Voices investigates these tantalizing questions, showing how these great figures from classical antiquity still address some of our most fundamental concerns in the world today (of war and courage, dictatorship and democracy, empire, immigration, city life, art, madness, irrationality, and religious commitment), and express some of our most personal sentiments (about family and friendship, desire and separation, grief and happiness).  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One of our most important sources for his achievements and personality is Plutarch's Life of Alexander, and this is the first detailed commentary in English for over fifty years, along with a thorough introduction and translation. It is a sister volume to the author's 2011 edition (also in the Clarendon Ancient History Series) of Plutarch's Caesar, the Life paired with Alexander in Plutarch's series of Parallel Lives.  The life of Alexander the Great was clouded in legend from his own lifetime, not least because Alexander himself curated his image with such care. Disentangling the truth is not an easy task, especially because our surviving narratives, including Plutarch's, all date from centuries later under the Roman empire. Plutarch's Life of Alexander is especially important for Alexander's early years, but for his later achievements too it often supplements or corrects our other accounts; it is also a considerable literary achievement, as Plutarch produces a memorable picture of a brilliant soldier, full of spirit and ambition, gradually coarsened by his own successes and his suspicions of his friends until his final months at Babylon in a court full of superstition, terror, and dread. Plutarch had to navigate his way through an unusually vast stock of material to produce this portrait. 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