{"title":"Colin N Manlove","description":null,"products":[{"product_id":"scottish-fantasy-literature-book-colin-n-manlove-9781898410201","title":"Scottish Fantasy Literature","description":null,"brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49539492806929,"sku":"GOR004285506","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":51434158752017,"sku":"GOR014276103","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1898410208.jpg?v=1750835088"},{"product_id":"anthology-of-scottish-fantasy-literature-book-colin-n-manlove-9780748662135","title":"An Anthology of Scottish Fantasy Literature","description":"Presenting traditional fairy tales, dream allegories, travels, other worlds and ghost stories, this collection includes the supernatural works of such writers as Robert Burns, James Macpherson, R.L. Stevenson, James Hogg, J.M. 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For he believed that God lives in the depths of the human mind and sends up from thence wonderful gifts into the light of the understanding. This makes MacDonald that very rare thing: a writer of mystical fiction whose work can give us experience of the divine. Throughout his children's fantasy stories MacDonald is describing the human and divine imagination. In the shorter tales he shows how the imagination has different regions and depths, each able to shift into the other. With the longer stories we see the imagination in relation to other aspects of the self and to its position in the world. 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Each chapter that follows is primarily a literary analysis set in a context of the writer's life, thought, and other works. As the book proceeds, there begins to emerge a picture of the originality and merit of the writers, but at the same time the sense of a division in the purpose of each writer, whereby their works fail to abide by their own laws. 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He finds this urge to be the celebration of identity. Fantasy is ultimately concerned to heighten and praise being, whether that being is God's creation, the world, or the creations of the fantasy writer themselves. This interest can take the form of direct eulogy or of more unconscious fascination. It is seen in fantasy's conservatism and its frequently elegiac mode, and is demonstrated through its formal characteristics such as circular structure and the use of juxtaposition to heighten individuality. It is more overtly present in modern than in pre-1800 fantasy, partly because modern fantasy developed as a Romantic reaction against technology and everything that reduced direct contact between people and the environment. These aspects of fantasy are illustrated from detailed discussion of the tales of Grimm, Walter de la Mare's Told Again, W. M. Thackeray's The Rose and the Ring, Charles Williams's prose fantasies, Ursula le Guin's Earthsea trilogy, E. 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Each chapter that follows is primarily a literary analysis set in a context of the writer's life, thought, and other works. As the book proceeds, there begins to emerge a picture of the originality and merit of the writers, but at the same time the sense of a division in the purpose of each writer, whereby their works fail to abide by their own laws. 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