{"title":"David Schulenberg","description":"\u003cp\u003eDelve into the world of David Schulenberg. Discover how he expertly covers topics from keyboard music to thorough bass and the music of W.F. Bach. Start exploring his works today.\u003c\/p\u003e","products":[{"product_id":"music-of-the-baroque-book-david-schulenberg-9780195122329","title":"Music of the Baroque","description":"Ideal for undergraduate music majors, graduate students in music, and interested musicians and instructors, this introductory text covers European music from 1600 through 1750. In contrast to other books on the subject-which focus on historical information instead of on the music itself-Music of the Baroque offers a focused examination of approximately fifty selected works from several of the principal traditions of the period. It discusses representative works from each tradition, placing them within their larger historical contexts. Music of the Baroque first considers vocal works, both sacred and secular, and then looks at instrumental music. It offers models for both musical criticism and analysis in a variety of compositional styles. The book also provides substantial discussions of original instrumentation and performance practices for many works. Schulenberg analyzes familiar works like Monteverdi's Orfeo and a Bach cantata and also discusses lesser-known compositions-including several works by women composers. The opening and closing chapters on late Renaissance and galant music provide bridges to earlier and later periods of European music history. Music of the Baroque is enhanced by several pedagogical aids including synopses of operatic works, biographical timelines for major composers, numerous illustrations, musical examples, and analytical tables. 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An ideal instructional package for courses in music history and literature, Music of the Baroque, Second Edition, and its accompanying anthology of scores offer a vivid introduction to European music from 1600 through 1750. Integrating historical and cultural context with composer biography, music analysis, and performance practice, the text surveys Baroque music while analyzing in depth more than forty works from the principal traditions of the period. An opening chapter on late-Renaissance vocal music and a closing chapter on galant instrumental music provide bridges to earlier and later European music. Thoroughly revised and updated to reflect current scholarship, this second edition of Music of the Baroque offers expanded coverage of instrumental music, with new sections on French lute music and the Italian trumpet sinfonia, along with enhanced discussion of chamber music from Salomone Rossi to Biber and Corelli. French sacred music also receives renewed attention. Offering models for musical criticism and analysis in a variety of compositional styles, author David Schulenberg analyzes familiar works like Monteverdi's Orfeo and a Bach cantata as well as lesser-known compositions, including works by Barbara Strozzi and Elizabeth-Claude Jacquet de La Guerre. 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This second edition complements the textbook's emphasis on performance practice while adding important instrumental works for lute (Gaultier), chamber ensemble (Rossi, Castello, and Legrenzi), and trumpet with strings (Torelli), as well as excerpts from a grand motet (Lalande). Newly prepared scores are provided for works by C. P. E. Bach, Biber, Frescobaldi, Froberger, Lully, and other composers. 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It considers how Friedemann's training and upbringing differed from those of his brothers, leading to a style that diverged from that of his contemporaries.  Central to the book are detailed discussions of all Friedemann's extant works: the virtuoso sonatas and concertos for keyboard instruments, the extraordinary chamber compositions (especially for flute), and the hitherto-neglected vocal music, including sacred cantatas and a remarkable work in honor of King Frederick the Great of Prussia. Special sections consider performance questions unique to Friedemann's music and provide a handy list of his works and their sources. Numerous musical examples provide glimpses of many little-known compositions, including a concerto ignored by previous students of Friedemann's music, here restored to hislist of works.     David Schulenberg, Professor of Music at Wagner College in New York City, has performed much of W. F. Bach's output on harpsichord, clavichord, and fortepiano. 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