{"title":"Diana Donald","description":"\u003cp\u003eDelve into the captivating works of Diana Donald, where history and art converge to reveal fresh perspectives on the past. Discover insightful explorations of visual culture and its impact on society.\u003c\/p\u003e","products":[{"product_id":"age-of-caricature-book-diana-donald-9780300071788","title":"The Age of Caricature","description":"The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Now Diana Donald presents the first major study of these caricatures, which challenges many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda as subtle and eloquent as the written word.  Donald analyzes the meanings of the prints, applying current perspectives on the eighteenth century about the changing roles of women and constructions of gender, the alleged rise of a consumer society, the growth of political awareness outside aristocratic circles, and the problems of defining \"class\" values in the later Georgian era. She discusses, for example, the social position of the Georgian satirist within the hierarchy of high and low art production; the relation between the shifting styles of political prints and the antagonisms of different political cultures; caricatures of fashion as expressions of ambivalent attitudes to luxury and \"high society\"; treatment of the crowd in the prints and the light this sheds on the myth of the freeborn Englishman; and what caricatures reveal about British reactions to the French Revolution in the 1790s. Donald concludes by describing the demise of the Georgian satirical print in the early nineteenth century, which she attributes in part to the new and urgent political purposes of radicals in the post-Napoleonic era. Illustrated with works by Gillray, Rowlandson, and other artists, many of which have never been published before, the book will be an enlightening and enjoyable reference for scholars and the general reader.  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Bewick was both an important contributor to the history of British ornithology and a highly original artist and printmaker. His depictions of the natural world, particularly of British birds, set new standards of realism and authenticity, while his graphic scenes of country life were unparalleled in their thoughtfulness, mingling humour and tragedy. His lively depictions of dogs, horses and other animals can also be seen as the expression of a new insight and sensibility: part of the growing movement for the prevention of cruelty to animals. Allowing Bewick's art to be viewed in a broad context of the artistic and scientific culture of his age, this lavishly illustrated book will appeal to naturalists, especially ornithologists and birdwatchers; historians of science, art and country life; those interested in the history of animal rights and protection; and students of painting and print media.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49597566648593,"sku":"GOR013179255","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1780231091.jpg?v=1766140961"},{"product_id":"women-against-cruelty-book-diana-donald-9781526115423","title":"Women Against Cruelty","description":"This is the first book to explore women's leading role in animal protection in nineteenth-century Britain, drawing on rich archival sources. Women founded bodies such as the Battersea Dogs' Home, the Royal Society for the Protection of Birds and various groups that opposed vivisection. They energetically promoted better treatment of animals, both through practical action and through their writings, such as Anna Sewell's Black Beauty. Yet their efforts were frequently belittled by opponents, or decried as typifying female 'sentimentality' and hysteria. Only the development of feminism in the later Victorian period enabled women to show that spontaneous fellow-feeling with animals was a civilising force. Women's own experience of oppressive patriarchy bonded them with animals, who equally suffered from the dominance of masculine values in society, and from an assumption that all-powerful humans were entitled to exploit animals at will.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49733674500369,"sku":"NGR9781526115423","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52331788239121,"sku":"NLS9781526115423","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1526115425.jpg?v=1763128406"},{"product_id":"women-against-cruelty-book-diana-donald-9781526150462","title":"Women Against Cruelty","description":"Women against cruelty is the first book to explore women's leading role in animal protection in nineteenth-century Britain, drawing on rich archival sources. Women founded bodies such as the Battersea Dogs' Home, the Royal Society for the Protection of Birds and various groups that opposed vivisection. They energetically promoted better treatment of animals, both through practical action and through their writings, such as Anna Sewell's Black Beauty. Yet their efforts were frequently belittled by opponents, or decried as typifying female 'sentimentality' and hysteria. Only the development of feminism in the later Victorian period enabled women to show that spontaneous fellow-feeling with animals was a civilising force. Women's own experience of oppressive patriarchy bonded them with animals, who equally suffered from the dominance of masculine values in society, and from an assumption that all-powerful humans were entitled to exploit animals at will.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739897995537,"sku":"NGR9781526150462","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":51033821511953,"sku":"NIN9781526150462","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51916053414161,"sku":"CIN1526150468VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52474691223825,"sku":"NLS9781526150462","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":53223213072657,"sku":"GOR014814702","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1526150468.jpg?v=1751118575"},{"product_id":"endless-forms-book-diana-donald-9780300148268","title":"Endless Forms","description":"Charles Darwin has had a profound influence on the fields of biology and natural history. But his ideas also imbued the work of many nineteenth-century artists. This illustrated book explores Darwin's impact on the visual arts in Europe and America during the second half of the nineteenth century.","brand":"WoB","offers":[{"title":"GB \/ GOOD \/ INTERNAL","offer_id":49895090028817,"sku":"GOR009314089","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49923426451729,"sku":"GOR004367860","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50691915481361,"sku":"CIN0300148267VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300148267.jpg?v=1751164350"},{"product_id":"picturing-animals-in-britain-book-diana-donald-9780300126792","title":"Picturing Animals in Britain","description":"From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals.     The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them—then and now—remain unanswered.          Published for the Paul Mellon Centre for Studies in British Art","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":50469524209937,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":50469525717265,"sku":"GOR005783899","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300126794.jpg?v=1751324534"},{"product_id":"age-of-caricature-book-diana-donald-9780300066050","title":"The Age of Caricature","description":"The late eighteenth century in England was the first great age of cartooning, and English caricature prints of the period have long been enjoyed for their humor and vitality. Now Diana Donald presents the first major study of these caricatures, which challenges many assumptions about them. She shows that they were a widely disseminated form of political expression and propaganda as subtle and eloquent as the written word.  Donald analyzes the meanings of the prints, applying current perspectives on the eighteenth century about the changing roles of women and constructions of gender, the alleged rise of a consumer society, the growth of political awareness outside aristocratic circles, and the problems of defining \"class\" values in the later Georgian era. She discusses, for example, the social position of the Georgian satirist within the hierarchy of high and low art production; the relation between the shifting styles of political prints and the antagonisms of different political cultures; caricatures of fashion as expressions of ambivalent attitudes to luxury and \"high society\"; treatment of the crowd in the prints and the light this sheds on the myth of the freeborn Englishman; and what caricatures reveal about British reactions to the French Revolution in the 1790s. Donald concludes by describing the demise of the Georgian satirical print in the early nineteenth century, which she attributes in part to the new and urgent political purposes of radicals in the post-Napoleonic era. 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This title will be of great interest to students of the History of Science and Art History.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51127699472657,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51127700488465,"sku":"NIN9780367620776","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52521186689297,"sku":"NLS9780367620776","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0367620774.jpg?v=1751005968"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-diana-donald.oembed","provider":"World of Books ","version":"1.0","type":"link"}