{"title":"Douglas Cairns","description":null,"products":[{"product_id":"in-the-mind-in-the-body-in-the-world-book-douglas-cairns-9780197681800","title":"In the Mind, in the Body, in the World","description":"This volume of newly commissioned essays marks a collaborative effort among scholars of ancient Greece and early China to investigate discourses of emotions in ancient philosophy, medicine, and literature from c. 5th century BCE-2nd century CE. The aim is to bring scholars working in the two ancient traditions together to explore ways in which cross-cultural and cross-disciplinary investigation might be deployed to advance our understanding of the emotions in these ancient societies, and ultimately, to confront and challenge certain long-standing modern approaches to emotions.   The volume not only highlights the diverse ways in which emotions have been portrayed and discussed in different geographical and cultural contexts, but also interrogates the concepts through which writers and thinkers in the past experienced and thought about the emotions. The book takes emotions not as natural givens, but as aspects of human experience and conceptualization whose significance can be properly assessed only within the practices, discourses, and institutions of particular societies. The volume addresses a wide range of topics, such as equanimity and impassivity in Daoism and Stoic thought; therapies of emotions in Greco-Roman and early Chinese medicine and philosophy; the cultivation of emotions in relation to perception, attention, and appraisal in Mengzi and the Stoics; the workings of emotion in Aristotle's moral psychology; models of embodiment in canonical ancient medical texts; the ethics and politics of respect, fear, and awe across time, space and genre; and the social function and expression of contempt in Greek literature. In fostering engagement across traditions and disciplines, the volume seeks to make substantive contributions to existing research in the history and philosophy of emotions, as well as the cross-cultural and global study of emotions.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":50452696203537,"sku":"NGR9780197681800","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":50999904960785,"sku":"NIN9780197681800","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0197681808.jpg?v=1772274245"},{"product_id":"cultural-history-of-the-emotions-in-antiquity-book-douglas-cairns-9781472535801","title":"A Cultural History of the Emotions in Antiquity","description":"This volume provides an overview of some of the salient aspects of emotions and their role in life and thought of the Greco-Roman world, from the beginnings of Greek literature and history to the height of the Roman Empire. This is a wide remit, dealing with a wide range of sources in two ancient languages, and in the full range of contexts that are covered by the format of this series. The volume's chapters survey the emotional worlds of the ancient Greeks and Romans from multiple perspectives - philosophical, scientific, medical, literary, musical, theatrical, religious, domestic, political, art-historical and historical. All chapters consider both Greek and Roman evidence, ranging from the Homeric poems to the Roman Imperial period and making extensive use of both elite and non-elite texts and documents, including those preserved on stone, papyrus and similar media, and in other forms of material culture. The volume is thus fully reflective of the latest research in the emerging discipline of ancient emotion history.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":52101731057937,"sku":"NGR9781472535801","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781472535801.jpg?v=1757094333"},{"product_id":"emotions-through-time-book-douglas-cairns-9783161613418","title":"Emotions through Time","description":"Die im Band versammelten Beiträge aus der Altertumswissenschaft und der Byzantinistik untersuchen die komplexen Wechselwirkungen zwischen antikem und byzantinischem Emotionsdiskurs. Die Einbeziehung unterschiedlichster Quellen und Phänomene, methodologische Reflexion sowie die vergleichende Gesamtanlage des Bandes zeichnen ein differenziertes Bild der byzantinischen Welt der Emotionen und deren Auswirkung auf die mittelalterliche und frühneuzeitliche Kultur.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52132310221073,"sku":"NLS9783161613418","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783161613418.jpg?v=1757516569"},{"product_id":"sophocles-antigone-book-douglas-cairns-9781472514332","title":"Sophocles: Antigone","description":"Antigone is Sophocles’ masterpiece, a seminal influence on a wide range of theatrical, literary, and intellectual traditions. This volume sets the play in the contexts of its mythical background, its performance, its relation to contemporary culture and thought, and its rich reception history. But its main aim is to encourage first-hand engagement with the complexities of interpretation that make the play so enduringly thought-provoking and rewarding. Though Creon’s actions prove disastrous and Antigone’s are vindicated, the Antigone is no simple study in the excesses of tyranny or the virtues of heroic resistance, but a more nuanced exploration of conflicting views of right and wrong and of the conditions that constrain human beings’ efforts to control their destinies and secure their happiness.   The book’s chapters consider the extent of the original audience’s acquaintance with earlier versions of the legends of Antigone’s family, the structure of the plot as it unfolds in theatrical performance, the presentation of the characters and the motivations that drive them, the major political, social, and ethical themes that the play raises, and the resonance of those themes in the ways that the play has been interpreted, adapted, performed, and appropriated in later periods.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52430165115153,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52430165836049,"sku":"NLS9781472514332","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781472514332.jpg?v=1759168963"},{"product_id":"mixed-feelings-book-douglas-cairns-9783111390543","title":"Mixed Feelings","description":"'Affective valence' typically refers to the way an affective state feels, i.e. the quality of the (dis)pleasure we subjectively experience: fear usually feels unpleasant, while joy feels good. 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It will be of interest to students and scholars of literature (especially classical Chinese, Greek, Indian, and Latin), history of emotions, and philosophy.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52760808227089,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52760808587537,"sku":"NIN9783111390543","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783111390543.jpg?v=1763587405"},{"product_id":"defining-greek-narrative-book-douglas-cairns-9780748680108","title":"Defining Greek Narrative","description":"The ‘Classic’ narratology that has been widely applied to classical texts is aimed at a universal taxonomy for describing narratives. More recently, ‘new narratologies’ have begun linking the formal characteristics of narrative to their historical and ideological contexts. This volume seeks such a rethinking for Greek literature. It has 2 closely related objectives: to define what is characteristically Greek in Greek narratives of different periods and genres, and to see how narrative techniques and concerns develop over time.  The 15 distinguished contributors explore questions such as: how is Homeric epic like and unlike Gilgamesh and the Hebrew Bible? What do Greek historians consistently fail to tell us, having learned from the tradition what to ignore? How does lyric modify narrative techniques from other genres? 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