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The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. 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Bearing a torch, he slowly walks away from his large format view camera. Time exposure captures the scenery illuminated by the moving light, and sometimes his footprints, while the artist's figure is eradicated again from the image. At the same time familiar and strange, the fascinating pictures of enchanted or haunted landscapes tell us what an eerie place our everyday surroundings can be, depending on the light in which we see it.  This first monographic book on Dominic Büttner's art features some one-hundred of his Dreamscapes alongside essays by literary scholar and critic Elisabeth Bronfen and by publicist and art critic Nadine Olonetzky.  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It culminates in the analysis of adaptations of Shakespeare in complex TV series, including \u003ci\u003eSuccession\u003c\/i\u003e, the postapocalyptic series \u003ci\u003eStation Eleven\u003c\/i\u003e and the cosy crime series \u003ci\u003eShakespeare and Hathaway\u003c\/i\u003e. This book investigates Shakespeare’s seriality from various theoretical perspectives and through multiple methods, including gender and queer theory, ecocriticism, memory and heritage studies, psychoanalysis, empathy studies and fandom studies, reception history and theatre history.\u003cbr\u003e\u003cbr\u003eExamining serial reading as a method of establishing intertextual and intermedial links, this volume contributes to recent developments in adaptation studies including the debate between Shakespeare and ‘not-Shakespeare’.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Centre of Cultural Inquiry (ZKF) and the Publication Fund of the University of Konstanz.\u003c\/i\u003e\u003c\/p\u003e","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52799049531665,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":52799049924881,"sku":"NGR9781350437302","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781350437302.jpg?v=1764164034"},{"product_id":"shakespeare-s-serial-universe-book-elisabeth-bronfen-9781041216209","title":"Shakespeare's Serial Universe","description":"\u003cp\u003eThis innovative book transforms how we understand Shakespeare's creative universe and enduring relevance. Rather than looking at the plays in isolation, Elisabeth Bronfen treats seriality as the organizing principle in Shakespeare’s works, revealing how Shakespeare’s dramatic universe operates through recurring formulas travelling between plays.\u003c\/p\u003e\u003cp\u003eEach chapter tracks a thematic series, nocturnal scenes, hallucinations and spectral apparitions; the trafficking in secrets and the culture of surveillance it produces; to the folly of love and the reversal of desire into contempt; the cyclical interplay between war and peace; the anxieties and fantasies that queenship raises; cross-dressing; the corpse as a body of evidence; objects – bloody cloths, jewels, letters and chopped of heads – that serve as actors in their own right; and final words.\u003c\/p\u003e\u003cp\u003eThis will be illuminating reading for students and scholars in Shakespeare studies, as well as a wider audience interested in more philosophically oriented discussions of Shakespeare and those interested in issues of seriality. 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Rather than looking at the plays in isolation, Elisabeth Bronfen treats seriality as the organizing principle in Shakespeare’s works, revealing how Shakespeare’s dramatic universe operates through recurring formulas travelling between plays.\u003c\/p\u003e\u003cp\u003eEach chapter tracks a thematic series, nocturnal scenes, hallucinations and spectral apparitions; the trafficking in secrets and the culture of surveillance it produces; to the folly of love and the reversal of desire into contempt; the cyclical interplay between war and peace; the anxieties and fantasies that queenship raises; cross-dressing; the corpse as a body of evidence; objects – bloody cloths, jewels, letters and chopped of heads – that serve as actors in their own right; and final words.\u003c\/p\u003e\u003cp\u003eThis will be illuminating reading for students and scholars in Shakespeare studies, as well as a wider audience interested in more philosophically oriented discussions of Shakespeare and those interested in issues of seriality. 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