{"title":"Elizabeth Cropper","description":null,"products":[{"product_id":"domenichino-affair-book-elizabeth-cropper-9780300109146","title":"The Domenichino Affair","description":"Ten years after completing his work The Last Communion of Saint Jerome, Bolognese painter Domenichino was accused by his rival Giovanni Lanfranco of stealing the idea for the painting from an altarpiece crafted by Lanfranco's teacher, Agostino Carracci. The resulting scandal reverberated through the centuries, drawing responses by artists and critics from Poussin and Malvasia to Fuseli and Delacroix. Why was Domenichino attacked in this way when other related paintings--including Raphael's Marriage of the Virgin and Perugino's painting of the same subject--aroused no such negative response? In this fast-paced book, Elizabeth Cropper investigates the Domenichino affair and addresses the perennial debate regarding the precise nature of originality and of imitation. She offers close readings of the paintings involved in the story, detailed analysis of attitudes toward imitation, emulation, and plagiarism, and a fascinating discussion of what Domenichino's plight signifies in art history.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49535271272721,"sku":"GOR007880506","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":50347944018193,"sku":"CIN0300109148G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0300109148.jpg?v=1750780296"},{"product_id":"nicolas-poussin-book-elizabeth-cropper-9780691050676","title":"Nicolas Poussin","description":"By investigating the important cultural figures who were close to the painter Nicolas Poussin (1594-1665), Elizabeth Cropper and Charles Dempsey allow the reader to enter not only the Rome where he lived but also the Rome of antiquity, which he admired and tried to reconstruct. The authors argue that Poussin's works were structured by his friendships, as well as by his study of ancient history and early Christian archaeology, his exploration of the poetry and mystery of ancient places, and his conception of his paintings as gifts rather than commercial objects. By looking into this rich background, they also show how Poussin introduced into his theory and practice of painting a new concept of the inherent expressiveness of form that was quite different from the then prevailing conventions for depicting the passions and affections.  The first two chapters treat Vincenzo Giustiniani, the most sophisticated patron and art collector of his day, whose purpose and rationale for collecting ancient sculpture deeply influenced Poussin and the Flemish sculptor Francois Duquesnoy. Among other topics, the succeeding sections take up Poussin's deep readings of Montaigne and his friendships with the poet Giovanni Battista Marino, with artists such as Pietro Testa and Matteo Zaccolini, and with patrons and true friends, among them Cassiano dal Pozzo and Paul Frart de Chantelou, for whom Poussin painted a special self-portrait, which the artist said stood for \"The Love of Painting and Friendship.\"","brand":"WoB","offers":[{"title":"US \/ WELL_READ \/ SBYB","offer_id":50359734698257,"sku":"CIN0691050678A","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52779826446609,"sku":"CIN0691050678VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":53578599989521,"sku":"CIN0691050678G","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0691050678.jpg?v=1751168201"},{"product_id":"felsina-pittrice-book-elizabeth-cropper-9781912554799","title":"The Felsina Pittrice","description":"In Bologna, Giorgio Vasari's maniera moderna is inaugurated through the art of the goldsmith-painter Francesco Francia (c.1447-1517). Malvasia assimilates the beginning of this new era with the end of night and the crack of dawn, when never before seen colors are revealed to the eyes with extraordinary intensity. In his life of Francia, Vasari had acknowledged the role of precursor played by this Bolognese master in the history of Italian painting. By the same token, he had tarnished Francia's reputation by alleging that he had died soon after unpacking Raphael's Ecstasy of Saint Cecilia upon its arrival in Bologna. His death, Vasari insisted, was a moment of reckoning: it was then that Francia recognized his artistic inferiority and damnation with regard not only to Raphael, but also to the highest achievements of the maniera moderna. Aware of the historical validity of Vasari's account, Malvasia \"lifted\" it wholesale into his Felsina pittrice, but not without bringing its author to trial by examining his biased testimony in light of the rich documentary evidence he had gathered against his narrative. Equipped with the most refined tools of forensic eloquence, seething with outrage, Malvasia is at his best in challenging Vasari's historical distortions and prejudices not only in connection with Francia, but also his disciples, Timoteo Viti (1469-1523), Lorenzo Costa (1460-1535), and Giovanni Maria Chiodarolo (1480-1530). Denouncing Vasari's silence about the works and importance of Francia's progeny--in particular Giacomo (1484-1557) and Giovan Battista Francia--Malvasia explains how the activity of these masters promoted the education and social status of painters in Bologna before the foundation of the Carracci Academy in 1582. Illustrated with numerous color images (many of them taken expressly for this publication), this volume provides a critical edition and annotated translation of Malvasia's lives of Francia and his disciples, among them prominently Costa. The integral transcription (for the first time) in this volume of Malvasia's preparatory notes (Scritti originali) to the lives of Francia, Costa, and Chiodarolo presents important material that could foster the study of Bolognese painting in the age of humanism under the rulership of the Bentivoglio.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52672883786001,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52672884539665,"sku":"NLS9781912554799","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781912554799.jpg?v=1762295688"},{"product_id":"felsina-pittrice-book-elizabeth-cropper-9781909400696","title":"Felsina Pittrice","description":"Described by Malvasia as the creator and promoter of the new maniera moderna, Guido introduces the fourth age of painting: a period marked by a new and sometimes bold elaboration on the notion of artistic perfection developed by the Carracci and achieved more specifically by Ludovico. Art in Italy could have declined again after the deaths of the Carracci, but thanks to Guido and Domenichino, Francesco Albani and Guercino, a renewed flowering of the art of painting prevails in Bologna and spreads throughout Italy. In assessing the role of Guido in promoting this new artistic vanguard, Malvasia finds himself in a theoretical impasse. On the one hand, he cannot resist his infatuation with Guido's work; endowed with spellbinding powers, Guido's paintings embody the greatest luxury of modernity: an endless search for aesthetic refinement and transcendental beauty both in the representation of the human body and in the orchestration of light, color, and impasto. On the other hand, Malvasia cannot bring himself to embrace Guido's last manner, where delicacy verges on feebleness, transcendence coalesces into purposeless abstraction, divine vision engenders incompleteness, and sprezzatura turns into apparent carelessness. In Malvasia's eyes, Guido is both a model of virtue and the victim of the demonic force of gambling. With acuity, Malvasia praises Guido the money-maker, the self-confident artist able to overhaul the rules of the art market by increasing the value of painting; but he detests Guido the money-squanderer, the indebted artist who gambles away his reputation and, supposedly, the quality of his creations. Richly illustrated, this volume provides a translation and critical edition of the life of Guido, offering copious historical notes filled with documentary information about Guido's biography and the works by Guido mentioned by Malvasia. It constitutes the most thorough treatment of the artist's work in print.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52681539289361,"sku":"NLS9781909400696","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781909400696.jpg?v=1762315897"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-elizabeth-cropper.oembed","provider":"World of Books ","version":"1.0","type":"link"}