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This richly illustrated volume examines these histories by considering the collection and display of Pre-Columbian objects in Europe, Latin America, and the United States. Some of the thirteen essays locate the collecting process within its broader cultural setting in order to explain how and why such collections were formed, while others consider how collections have served as documents of culture within the disciplines of archaeology and anthropology, and as objects of fine art or aesthetic statements within the art and art historical worlds. Nearly all contemplate how such collections have been used as active signifiers of political, economic, and cultural power.\u003cbr\u003e \u003cbr\u003e The thirteen essays were originally presented at a symposium commemorating the fiftieth anniversary of the Pre-Columbian Collection at Dumbarton Oaks. 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Asking how knowledge was encoded and preserved in Pre-Columbian and early colonial Mesoamerican cultures, the authors focus on systems of writing that did not strive to represent speech. Their work reveals the complicity of ideology in the history of literacy, and offers new insight into the history of writing.  The contributors--who include art historians, anthropologists, and literary theorists--examine the ways in which ancient Mesoamerican and Andean peoples conveyed meaning through hieroglyphic, pictorial, and coded systems, systems inseparable from the ideologies they were developed to serve. We see, then, how these systems changed with the European invasion, and how uniquely colonial writing systems came to embody the post-conquest American ideologies. The authors also explore the role of these early systems in religious discourse and their relation to later colonial writing.  Bringing the insights from Mesoamerica and the Andes to bear on a fundamental exchange among art history, literary theory, semiotics, and anthropology, the volume reveals the power contained in the medium of writing.Contributors. Elizabeth Hill Boone, Tom Cummins, Stephen Houston, Mark B. King, Dana Leibsohn, Walter D. Mignolo, John Monaghan, John M. D. 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Drawing together Aztec specialists from different nations and scholastic disciplines in a collaborative effort, the papers collected here provide intriguing insights into the offerings of the Templo Mayor, ritual and the cosmos, and rulership and establish a new framework for understanding Aztec culture.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53079985553681,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":53079985815825,"sku":"NGR9780884025122","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780884025122.jpg?v=1769863741"},{"product_id":"painted-architecture-and-polychrome-monumental-sculpture-in-mesoamerica-book-elizabeth-hill-boone-9780884025115","title":"Painted Architecture and Polychrome Monumental Sculpture in Mesoamerica","description":"\u003ci\u003ePainted Architecture and Polychrome Monumental Sculpture in Mesoamerica\u003c\/i\u003e investigates the use and importance of color over a broad geographic and temporal range in Mesoamerica. 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By turning attention toward polychromic diversity in architecture and sculpture, the essays in this volume open unto a broader understanding of Mesoamerican art and art history, one that expands beyond monochromatic interpretations in the visual arts.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":53079986241809,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":53079986536721,"sku":"NGR9780884025115","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9780884025115.jpg?v=1769863747"},{"product_id":"art-and-iconography-of-late-post-classic-central-mexico-book-elizabeth-hill-boone-9780884025092","title":"The Art and Iconography of Late Post-Classic Central Mexico","description":"This volume examines the art and archaeology of Late Post-Classic Central Mexico and thematically proposes that Aztec culture was in fact creative, fighting against suggestions in academia to the contrary. 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