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(2017), by way of her monumental trilogy, And Europe Will Be Stunned (2007-2011) with which she represented Poland at the 54th Venice Biennale, the book highlights the artist's fascination with the ways in which social rituals shape both individual identities and collective memory.Far from a mode of direct documentation, Bartana's works are themselves modelled on the aesthetics of the ritual, and are therefore, above all, performative works, which unapologetically seduce us. Her films draw attention to the fact that cinema is a ritual, and that the camera, perhaps better than any other device, mimics the ritualistic in its ability to fetishize, seduce, and draw us into the ceremony we are watching.The artist's new work, What if Women Ruled the World? is commissioned and produced by Manchester International Festival and European Capital of Culture Aarhus 2017. 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We never see by ourselves—all seeing must pass through something other than itself, through the mediation and the detour of an apparatus or the witness of a third party. Besides the theoretical framework for this new approach to perspective, this book presents a series of case studies ranging from innovative interpretations of classical authors and key moments in the history of art—from ancient painting, trompe l’oeil, and Brunelleschi’s experiment in Renaissance Florence—to the issue of perspective in the work of contemporary artists such as Robert Smithson.  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