{"title":"Eric Michaud","description":null,"products":[{"product_id":"barbarian-invasions-book-eric-michaud-9780262043151","title":"The Barbarian Invasions","description":"\u003cp\u003e\u003cb\u003eHow the history of art begins with the myth of the barbarian invasion--the romantic fragmentation of classical eternity.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe history of art, argues  ric Michaud, begins with the romantic myth of the barbarian invasions. Viewed from the nineteenth century, the Germanic-led invasions of the Roman Empire in the fifth century became the gateway to modernity, seen not as a catastrophe but as a release from a period of stagnation, renewing Roman culture with fresh, northern blood--and with new art that was anti-Roman and anticlassical. Artifacts of art from then on would be considered as the natural product of races and peoples rather than the creation of individuals. The myth of the barbarian invasions achieved the fragmentation of classical eternity.\u003c\/p\u003e\u003cp\u003eThis narrative, Michaud explains, inseparable from the formation of nation states and the rise of nationalism in Europe, was based on the dual premise of the homogeneity and continuity of peoples. Local and historical particularities became weapons aimed at classicism's universalism. The history of art linked its objects with racial groups--denouncing or praising certain qualities as Latin or Germanic. Thus the predominance of linear elements was thought to betray a southern origin, and the painterly a Germanic or northern source. Even today, Michaud points out, it is said that art best embodies the genius of peoples. In the globalized contemporary art market, the ethnic provenance of works--categorized, for example, as African American, Latino, or Native American--creates added value. The market displays the same competition among races that was present at the foundation of art history as a discipline.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49622451257617,"sku":"GOR013614841","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49729921351953,"sku":"NGR9780262043151","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50454303441169,"sku":"CIN0262043157VG","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262043157.jpg?v=1750877401"},{"product_id":"cult-of-art-in-nazi-germany-book-eric-michaud-9780804743266","title":"The Cult of Art in Nazi Germany","description":"The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the \"Aryan race,\" a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'être of a regime defined by Hitler as the \"dictatorship of genius.\" Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany art was considered to be less a witness of history than a force capable of producing future, the actor capable of accelerating the coming of a reality immanent to art itself.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51007661932817,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51007665242385,"sku":"NIN9780804743266","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0804743266.jpg?v=1757415086"},{"product_id":"cult-of-art-in-nazi-germany-book-eric-michaud-9780804743273","title":"The Cult of Art in Nazi Germany","description":"The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the \"Aryan race,\" a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'être of a regime defined by Hitler as the \"dictatorship of genius.\" Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany art was considered to be less a witness of history than a force capable of producing future, the actor capable of accelerating the coming of a reality immanent to art itself.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51007761547537,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51007764365585,"sku":"NIN9780804743273","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0804743274.jpg?v=1757417050"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-eric-michaud.oembed","provider":"World of Books ","version":"1.0","type":"link"}