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Recorded with pianist Bill Evans; tenor saxophonist John Coltrane; composer\/theorist George Russell; and Miles himself, the album represented a fortuitous conflation of some of the real giants of the jazz world, at a time when they were at the top of their musical game. 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'The Making of Kind of Blue' is an exhaustively researched examination of how this masterpiece was born. Through extensive interviews and access to rare recordings, Eric Nisenson has pieced together the whole story of this miraculous session, laying bare the genius of Miles Davis, John Coltrane, the other musicians involved, and the heart of jazz itself. 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He began his musical career at the age of eleven, and within five short years he was playing with the legendary Thelonious Monk. In the late forties, before his twenty-first birthday, Rollins was in full swing, recording with jazz luminaries such as Charlie Parker, Bud Powell, Max Roach, Art Blakey, and Miles Davis, and he was hailed as the best jazz tenor man alive in the mid-fifties. Still active today, Rollins and his compelling sound reach a whole new generation of listeners with his eagerly anticipated live appearances. 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Whole actively disdaining his audience, he sought to broaden it by incorporating elements of other musics,classical, flamenco, rock, funk,into his uncompromising jazz. This contradictory combination of contempt and a desire for recognition fueled controversy in both his public and private lives, and resulted in Miles's lengthy self-imposed isolation. 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