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He has created a singular world with each movie he has released since his first in 1969. Foster Hirsch analyzes and celebrates that world in this study of the themes, visual style, and acting in each of Allen's films. With the addition of a new introduction and a chapter covering the eleven movies Allen has made in the last decade from Alice to Small Time Crooks - this up-to-date analysis of the director's entire body of work is a vital book for Allen fans and foes alike.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49593957744913,"sku":"GOR012796709","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0879101431.jpg?v=1750818781"},{"product_id":"detours-and-lost-highways-book-foster-hirsch-9780879102883","title":"Detours and Lost Highways","description":"Detours and Lost Highways begins with the Orson Welles film, Touch of Evil (1958), which featured Welles both behind and in front of the camera. That movie is often cited as the end of the line, noir's rococo tombstone.the film after which noir could no longer be made, or at least could no longer be made in the same way. It is my belief, Hirsch writes, that neo-noir does exist and that noir is entitled to full generic status. Over the past forty years, since noir's often-claimed expiration, it has flourished under various labels. 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Covering over one hundred outstanding films and offering more than two hundred carefully chosen stills, it is by far the most thorough and entertaining study available of noir themes, visual motifs, character types, actors, and directors. This landmark work covers noir in full, from the iconic performances of Burt Lancaster, Joan Crawford, and Humphrey Bogart to the camera angles, lighting effects, and story lines that characterize the work of directors Fritz Lang, Billy Wilder, and Orson Welles.  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Covering over a hundred outstanding films and offering nearly  two hundred carefully chosen stills, this is by far the most thorough and entertaining study available of noir themes, visual motifs, character types, actors, and directors. Hirsch examines the features that make Burt Lancaster, Joan Crawford, Robert Mitchum, and Humphrey Bogart into noir icons; as  well as the camera angles, lighting effects, and story lines that characterize the work of such major noir directors as  Fritz Lag, Billy Wilder, and Orson Welles. 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