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It incorporates Fergusson's representative criticism on such major authors as Dante, Shakespeare, James, and Eliot; on myths as well as action; on the modern stage; and on the modern novel. Essays in this collection include: \"T.S. Eliot and His Impersonal Theory of Art\" \"Humanism\" \"Maritain's Creative Intuition\" \"Two Perspectives on European Literature\" \"Two Acts from Dante's Drama of the Mind\" \"The Divine Comedy as a Bridge across Time\" \"Hamlet\" \"Measure for Measure\" \"Eugene O'Neill\" \"Exiles and Ibsen's Work\" \"Oedipus According to Freud, Sophocles, and Freud\" \"The Theater of Paul Valery\" \"D.H. Lawrence's Sensibility\" and \"The Drama in The Golden Bowl.\"  Francis Fergusson's criticism endures not only owing to its originality, depth, and range but also to its classically austere clarity of style. Looking at the present-day critical scene, we see few who match Fergusson's intelligence, learning, and verve. 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