{"title":"Gene D Phillips","description":"\u003cp\u003eDive into the world of Gene D. Phillips, a celebrated biographer and film scholar. 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Chandler's hard-boiled private eye Philip Marlowe set the standard for rough, brooding heroes who managed to maintain a strong sense of moral conviction despite a cruel and indifferent world.  Chandler's seven novels, including  The Big Sleep (1939) and  The Long Goodbye (1953), with their pessimism and grim realism, had a direct influence on the emergence of film noir. Chandler worked to give his crime novels the flavor of his adopted city, Los Angeles, which was still something of a frontier town, rife with corruption and lawlessness. In addition to novels, Chandler wrote short stories and penned the screenplays for several films, including  Double Indemnity (1944) and  Strangers on a Train (1951). His work with Billy Wilder and Alfred Hitchcock on these projects was fraught with the difficulties of collaboration between established directors and an author who disliked having to edit his writing on demand.  Creatures of Darkness is the first major biocritical study of Chandler in twenty years. Gene Phillips explores Chandler's unpublished script for  Lady in the Lake, examines the process of adaptation of the novel  Strangers on a Train, discusses the merits of the unproduced screenplay for  Playback, and compares Howard Hawks's director's cut of  The Big Sleep with the version shown in theaters. Through interviews he conducted with Wilder, Hitchcock, Hawks, and Edward Dmytryk over the past several decades, Phillips provides deeper insight into Chandler's sometimes difficult personality. Chandler's wisecracking Marlowe has spawned a thousand imitations.  Creatures of Darkness lucidly explains the author's dramatic impact on both the literary and cinematic worlds, demonstrating the immeasurable debt that both detective fiction and the neo-noir films of today owe to Chandler's stark vision.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":49894862029073,"sku":"CIN0813190428G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50190436270353,"sku":"CIN0813190428VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51112161018129,"sku":"GOR009216920","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0813190428.jpg?v=1751426996"},{"product_id":"some-like-it-wilder-book-gene-d-phillips-9780813125701","title":"Some Like It Wilder","description":"One of the most accomplished writers and directors of classic Hollywood, Billy Wilder (1906--2002) directed numerous acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), The Seven Year Itch (1955), Witness for the Prosecution (1957), and Some Like It Hot (1959). Featuring Gene D. Phillips's unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. Wilder began his career as a screenwriter in Berlin but, because of his Jewish heritage, sought refuge in America when Germany came under Nazi control. Making fast connections in Hollywood, Wilder immediately made the jump from screenwriter to director. His classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945) earned Academy Awards for best picture, director, and screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me, Stupid (1964) and The Apartment (1960), which won Oscars for best picture and director. 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The force behind such popular and critically acclaimed films as Apocalypse Now and the Godfather trilogy, Coppola has imprinted his distinct style on each of his movies and on the landscape of American popular culture. In Godfather, Phillips argues that Coppola has repeatedly bucked the Hollywood \"factory system\" in an attempt to create distinct films that reflect his own artistic vision -- often to the detriment of his career and finances. Phillips conducted interviews with the director and his colleagues and examined Coppola's production journals and screenplays. Phillips also reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream. The result is the definitive assessment of one of Hollywood's most enduring and misunderstood mavericks.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50361330794769,"sku":"CIN0813123046G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":52740246798609,"sku":"NIN9780813123042","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0813123046.jpg?v=1751201368"},{"product_id":"encyclopedia-of-stanley-kubrick-book-gene-d-phillips-9780816043880","title":"The Encyclopedia of Stanley Kubrick","description":"From dramas such as Paths of Glory to his final film, Eyes Wide Shut, film director Stanley Kubrick always commanded his audience's attention. 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British-born Lean asserted himself in Hollywood as a major artistic voice with his epic storytelling and panoramic depictions of history, but he was also a highly skilled film editor in Great Britain before he became a director who brought an art-house sensibility to big market films. Lean's approach to filmmaking was far different from that of his contemporaries. He carefully chose his projects and, as a result, directed only sixteen films in a span of more than forty years. Those films, however, are some of the landmarks of motion-picture history. In addition to his epics, Lean also made adaptations of well-known novels, including Great Expectations, Oliver Twist, and A Passage to India, and plays, including Brief Encounter. Using elements of both biography and film criticism, author Gene D. Phillips examines the screenplays and production histories central to Lean's body of work and interviews actors and other directors who worked with Lean. Phillips also explores Lean's lesser-studied films, such as The Passionate Friends, unearthing new details. 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Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films.  In Out of the Shadows: Expanding the Canon of Classic Film Noir, Gene Phillips provides an in-depth examination of several key noir films, including acknowledged masterpieces like Laura, The Maltese Falcon, Sunset Boulevard, and Touch of Evil, as well as films not often associated with film noir like Spellbound, A Double Life, and Anatomy of a Murder. Phillips also examines overlooked or underappreciated films such as Song of the Thin Man, The Glass Key, Ministry of Fear, and Act of Violence. Also considered in this reevaluation are significant neo-noir films, among them Chinatown, Hammett, L.A. Confidential, and The Talented Mr. Ripley.  In his analyses, Phillips draws upon a number of sources, including personal interviews with directors and others connected with their productions, screenplays, and evaluations of other commentators. Out of the Shadows explores not only the most celebrated noir films but offers new insight into underrated films that deserve reconsideration. 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