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Acclaimed shanty devotee Gerry Smyth presents the background to each one alongside musical notation. The lyrics are elaborated with explanations of terminology, context including historical facts and accounts of life at sea, and the characters, both fictional and non-fictional, that appear in the songs from the great age of sail to the last days of square-rig. 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Neben astronomischen und meteorologischen Jahreszeiten gibt es den ph nologischen Kalender, der sich an den Ereignissen in der Natur orientiert. Und hier ist der Fr hling mit 107 Tagen einsamer Spitzenreiter. Er besitzt hier so viele Tage, dass er kurzerhand in Vorfr hling, Erstfr hling und Vollfr hling eingeteilt wurde. Dieses Buch hat sich an den astronomischen Kalender gehalten. Deshalb 93 Gedichte, f r jeden astronomischen Fr hlingstag eines. Darin wird viel die Natur im Fr hling, wie wir sie von fr her kennen, besungen. Jedes Gedicht vielseitig illustriert und zwischen den Gedichten ein Aphorismus zum kurzen Verschnaufen. 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The nature of popular music and the Irish identity it supposedly articulates have both undergone profound change in recent years: the first as a result of technological and wider industrial changes in the organisation and dissemination of music as seen, for example, with digital platforms such as YouTube, Spotify and iTunes. A second factor has been Ireland’s spectacular fall from economic grace after the demise of the \"Celtic Tiger\", and the ensuing crisis of national identity. Smyth argues that if, as the stereotypical association would have it, the Irish have always been a musical race, then that association needs re-examination in the light of developments in relation to both cultural practice and political identity. This book contributes to that process through a series of related case studies that are both scholarly and accessible. 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