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Grayson Perry admits he's not immune from the  stereotypes himself - as the psychoanalysts say, 'if you spot it, you've  got it' - and his thoughts on everything from power to physical  appearance, from emotions to a brand new Manifesto for Men, are shot  through with honesty, tenderness and the belief that, for everyone to  benefit, upgrading masculinity has to be something men decide to do  themselves. 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His first art prize was a large papier-mache head he awarded to himself as part of a performance art project at college. Since then he has won many other awards, including the Turner Prize in 2003, and has had major solo exhibitions all over the world. 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Imagine how BRILLIANT our country would look if he was' Caitlin Moran  Grayson  Perry has been thinking about masculinity - what it is, how it   operates, why little boys are thought to be made of slugs and snails -   since he was a boy. Now, in this funny and necessary book, he turns   round to look at men with a clear eye and ask, what sort of men would   make the world a better place, for everyone?  What would happen  if  we rethought the old, macho, outdated version of manhood, and  embraced a  different idea of what makes a man? Apart from giving up the   coronary-inducing stress of always being 'right' and the vast new   wardrobe options, the real benefit might be that a newly fitted   masculinity will allow men to have better relationships - and that's   happiness, right?  Grayson Perry admits he's not immune from the   stereotypes himself - as the psychoanalysts say, 'if you spot it,  you've  got it' - and his thoughts on everything from power to physical   appearance, from emotions to a brand new Manifesto for Men, are shot   through with honesty, tenderness and the belief that, for everyone to   benefit, upgrading masculinity has to be something men decide to do   themselves. 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And in 2003, an acclaimed ceramic artist, he accepted the Turner Prize as his alter-ego Clare, wearing his best dress, with a bow in his hair: another dream made real. Now he tells his own story, his voice beautifully caught by his friend, the writer Wendy Jones. Early childhood in Chelmsford, Essex is a rural Eden that ends abruptly with the arrival of the violent milkman who becomes his stepfather, leading to constant swerving between his parents' houses, and between boys' clothes and women's clothes. But as Grayson enters art college and tries awkwardly to fit in - 'I used to go to the Taboo nightclub in a black suit with skin-tight Lycra trousers and a jacket two sizes too small' - he starts to find himself and at last, in his early twenties, he steps out as a potter and transvestite. 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Award-winning artist Grayson Perry explores what masculinity is: from sex to power, from fashion to career prospects, and what it could become--with illustrations throughout. \u003c\/b\u003e\u003cp\u003e\u003c\/p\u003eIn this witty and necessary new book, artist Grayson Perry trains his keen eye on the world of men to ask, what sort of man would make the world a better place? What would happen if we rethought the macho, outdated version of manhood, and embraced a different ideal? In the current atmosphere of bullying, intolerance and misogyny, demonstrated in the recent Trump versus Clinton presidential campaign, \u003ci\u003eThe Descent of Man \u003c\/i\u003eis a timely and essential addition to current conversations around gender. \u003cp\u003e\u003c\/p\u003eApart from gaining vast new wardrobe options, the real benefit might be that a newly fitted masculinity will allow men to have better relationships--and that's happiness, right? Grayson Perry admits he's not immune from the stereotypes himself--yet his thoughts on everything from power to physical appearance, from emotions to a brand new Manifesto for Men, are shot through with honesty, tenderness, and the belief that, for everyone to benefit, updating masculinity has to be something men decide to do themselves. They have nothing to lose but their hang-ups.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49879198236945,"sku":"GOR013013818","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50101358428433,"sku":"CIN0143131656G","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50345654845713,"sku":"CIN0143131656VG","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ WELL_READ \/ SBYB","offer_id":51712906723601,"sku":"CIN0143131656A","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0143131656.jpg?v=1750811965"},{"product_id":"playing-to-the-gallery-chinese-edition-book-grayson-perry-9787535673411","title":"Playing to the Gallery (Chinese Edition)","description":null,"brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50404235313425,"sku":"CIN7535673414G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/7535673414.jpg?v=1751191362"},{"product_id":"most-popular-art-exhibition-ever-book-grayson-perry-9781846149634","title":"The Most Popular Art Exhibition Ever!","description":"There  are some artists for whom 'popular' is a bit of a dirty word. 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The Collection’s famous portrait of Madame de Pompadour (1759) by François Boucher has long fascinated Perry, as have a great many other pieces including its superb group of portrait miniatures and an early eighteenth-century bronze of Mezzetin, soulfully strumming his guitar.   Perry has created a fictional persona, Shirley Smith, who believes herself to be the rightful heir to Hertford House’s treasures – and indeed, the entire Wallace Collection. Through this identity, a series of new artworks have been made – inspired and influenced by those in the Collection – intended to decorate an imagined family home, complete with ancestral portraits, Old Masters and priceless antiques. Delusions of Grandeur presents this fantasy world and playfully explores themes including the meaning of home and how it creates a sense of safety, the gendering of decoration, perfection versus authenticity, and the exquisite and pretty versus the brutality and pomp of masculinity. And through the backstory of Shirley Smith, the transformative and healing nature of art is demonstrated.  This book presents Perry’s new works in a variety of media: ceramic, sculpture, textile and works on paper, which themselves complement the diversity and range of objects found within the Collection itself. This landmark exhibition marking Perry’s 65th birthday is both a meditation and an introspection and offers an elaborate commentary on the very nature of making and collecting art.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51201963000081,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51201963688209,"sku":"NGR9781781301340","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52420374266129,"sku":"GOR014522203","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":52502228107537,"sku":"NIN9781781301340","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52678709051665,"sku":"NLS9781781301340","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":52830263247121,"sku":"GOR014633768","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53127520321809,"sku":"GOR014758490","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1781301344.jpg?v=1751451988"},{"product_id":"playing-to-the-gallery-helping-contemporary-art-in-its-struggle-to-be-understood-rare-book-grayson-perry-1733148590iev","title":"Playing to the Gallery: Helping Contemporary Art in its Struggle to Be Understood","description":"2014. 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International artists of the likes of Antony Gormley, Hans Haacke, Rachel Whiteread, Mark Wallinger, Yinka Shonibare, Elmgreen and Dragset are among those to have been selected to create a work for the space. The results have divided opinion across the capital and beyond, prompting debate not only about the merits of each commission, but also about the value of art in the public realm. This book tells the story of the ongoing Fourth Plinth programme from its inception to the very latest commission, David Shrigley's Really Good, to be unveiled in September 2016. Individual chapters present the background and genesis of each work, with behind-the-scenes views of the fabrication, contributions from some of the many individuals involved in the projects, including the artists, and in situ shots of all the installed works. 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The difference is that it is a civilisation of one. The territory it springs from is my imagination.The relationship between my personal themes and obsessions and the vastness of world culture as represented in the British Museum is like a narrow pilgrimage trail across an infinite plain. Grayson Perry's centrepiece to this fascinating journey is a major artwork: a metal tomb in the form of a ship, encrusted with reliefs and artistic cargo based on, or actually cast from, objects in the collection of the British Museum. The occupant sails into the afterlife surrounded by the talismans of many faiths and people. This is a memorial to all the anonymous craftsmen that over the centuries have fashioned the man-made wonders of the world, many of which are on display in the Museum. Around the tomb, the other artworks - ceramics, tiles, cast metal sculpture, textiles and prints - are laid out in ritualistic symmetry as if they once belonged somewhere else. 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For the painter Hughie ODonoghue RA (b. 1953), this process involves research into his familys past in particular his fathers experiences in the Second World War an ongoing project that he likens to a draughtsmans exploration of subject-matter. Seeking in his art to remember events that he did not witness himself, to put flesh on the bones of history, ODonoghue unites this immersive investigation in personal and public archives with his preoccupation with art history, artefacts and mythology, creating poetic and moving works of universal significance. In this book, the fifth in the \"Artists Laboratory series\", ODonoghue and his fellow Royal Academician Grayson Perry discuss ideas of remembrance and the subjective re-telling of history, while ODonoghue himself reflects on the personal and art-historical references that inform his practice. 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