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Griselda Pollock challenges art history's usual interpretations of this search for an \"art of consolation\" in the distant and exotic regions by arguing that these artists were cultural colonizers. They exhibited the modern tourist's attachment to home - modern Paris and its art worlds - while being fascinated by what they imagined was a pre-modern \"other\". Through a thorough reading of Gauguin's 1892 painting of his Tahitian wife, \"Manao Tupapau\", the author proposes a new theory about the avant-garde as a series of gambits, a game of reference, deference and difference. This painting refers and defers to Manet's \"Olympia\" (1863). 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In closely-read case studies, we encounter artworks by Gian Lorenzo Bernini, Ana Mendieta, Louise Bourgeois, Alina Szapocznikow, Anna Maria Maiolino, Vera Frenkel, Sarah Kofman and Chantal Akerman to explore trauma and bereavement, fatal illness, first- and second-generation Holocaust experience, migration, exile and the encounter with political horror and atrocity. 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It further suggests that memory (and, indeed, art in general) must be invoked to show this haunting of the present by this menacing past so that we can read for the signs of terror and counter its deformation of the human. \u003cbr\u003e\u003cbr\u003eThrough working with political and cultural theory on readings of film, art, photographic and literary practices, \u003ci\u003eConcentrationary Memories\u003c\/i\u003e analyses different cultural responses to concentrationary terror in different sites in the post-war period, ranging from Auschwitz to Argentina. These readings show how those involved in the cultural production of memories of the horror of totalitarianism sought to find forms, languages and image systems which could make sense of and resist the post-war condition in which, as Hannah Arendt famously stated 'everything is possible' and 'human beings as human beings become superfluous.' 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Drawing on the political philosophy of Hannah Arendt and the analyses of violence by Agamben, Virilio, Lacoue-Labarthe and Nancy, it also offers close readings of films by Cavani and Haneke that identify and critically expose such an imaginary and, hence, contest its lingering force.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739851956497,"sku":"NGR9781350229556","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1350229555.jpg?v=1786037565"},{"product_id":"mary-cassatt-book-griselda-pollock-9780500204818","title":"Mary Cassatt","description":"\u003cb\u003eThe definitive introduction to the artist Mary Cassatt, placing her work in the wider context of 19th-century feminism and art theory.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e  A close ally of Camille Pissarro, Berthe Morisot and Edgar Degas, Mary Cassatt was the only American painter at the heart of the Impressionist group in Paris. Highly respected on both sides of the Atlantic, Cassatt was a forthright advocate for women’s intellectual, creative and political emancipation. She brought her discerning gaze and compositional inventiveness across many media to the subtle social interactions of women in public and private spaces, such as at the theatre, and in moments of intimacy with children, where she was one of the most attentive and unsentimental analysts of the infant body and the child’s emerging personality.\u003cbr\u003e  \u003cbr\u003e  Tracing key moments in Cassatt’s long career, art historian Griselda Pollock highlights Cassatt’s extensive artistic training across Europe, analysing her profound study of Old Masters while revealing her intelligent understanding of both Manet and Courbet. Pollock also provides close readings of Cassatt’s paintings and her singular vision of women in modernity. Now revised with a new preface, updates to the bibliography and colour illustrations throughout, this book offers a rich perspective on the core concerns of a major Impressionist artist through the frames of class, gender, space and difference.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49741059588369,"sku":"NGR9780500204818","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50985330639121,"sku":"CIN0500204810G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51828180156689,"sku":"GOR013336924","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":52093501309201,"sku":"CIN0500204810VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":53176918999313,"sku":"GOR013653899","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53352248377617,"sku":"GOR014868545","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ NEW \/ INGRAM","offer_id":54100639187217,"sku":"NIN9780500204818","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0500204810.jpg?v=1793721299"},{"product_id":"woman-in-art-book-griselda-pollock-9781913107413","title":"Woman in Art","description":"\u003cb\u003eGriselda Pollock reintroduces an important feminist forerunner in this new, full-colour setting of Helen Rosenau’s 1944 book \u003ci\u003eWoman in Art\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e Helen Rosenau (1900–1984) was part of the influential migration of European Jewish intellectuals who fled to Britain and the United States during the 1930s, bringing with them exciting innovations in art history’s methods. 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