{"title":"Hd","description":"\u003cp\u003eDive into a world of literature with authors whose last names begin with 'Hd'. 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As her pursuit of answers brings her closer to a killer, she risks being given a final resting place amid the bones that wait, silent and still, in the cabinets of Barnaby Mayne. \u003cp\u003e\u003c\/p\u003e\u003cb\u003eA Macmillan Audio production from Minotaur Books\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003eSpectacular. An extraordinary time machine of a novel, transporting us three centuries into the past, when Stuart London roiled with color and clamored with the grinding of carriage wheels.And Cecily May, the supremely winning botanist-sleuth braving hidden dangers in \u003ci\u003eThe Cabinets of Barnaby Mayne\u003c\/i\u003e, is a hero for the ages -- her and ours. -- A. J. 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Near the end of World War II, after having remained in London throughout the Blitz, H.D. made a pilgrimage to Stratford-upon-Avon, Shakespeare’s birthplace. This experience resulted in a hybrid volume of poetry about The Tempest and prose about Shakespeare and his contemporaries. Featuring a tour-de-force introduction and extensive explanatory notes, this is the first edition of the work to appear since its original publication in 1949.  Increasingly after the war, H.D. sought new forms of writing to express her persistent interests in the politics of gender and in issues of nationhood and home. 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This extraordinary novel explores the charged interpersonal relationships between and among Siddall, Rossetti, and other key members of the pre-Raphaelite movement, including William Morris and John Ruskin, in an effort to depict struggles of nineteenth-century women within the avant-garde sphere.  During H.D.'s lifetime, publishers shied away from the novel's radically unconventional hybrid form that combines elements of historical nonfiction, fiction, and biography. As part of the dense and allusive prose trilogy written during and after World War II (along with The Sword Went Out to Sea and The Mystery), White Rose and the Red exemplifies the mythic theme that H.D. saw as unifying all her writing. It also examines how Siddall - a controversial muse and model - became the iconic figure of an artistic movement.  In her clear, energetic, and critically informed introduction, Alison Halsall situates H.D.'s work within an analytical framework that examines factors of gender, class, and spiritualism, which shaped Siddall's posthumous reputation. 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Every reader of modernist literature will want to have this edition at hand.\"--Donna Hollenberg, University of Connecticut\u003c\/p\u003e \u003cp\u003eIn \u003ci\u003eThe Mystery\u003c\/i\u003e, finished in 1951 but never before published, H.D. tells a tale of love, intrigue, and religious redemption. Drawn from her notes to her memoir, \u003ci\u003eThe Gift\u003c\/i\u003e, the novel imaginatively re-creates the history of her mother's Moravian Church, Unitas Fratrum, and its leader, Count Zinzendorf, from which she believed she had inherited a psychic \"gift.\"\u003cbr\u003e \u003cbr\u003e  This \"gift\" enables her to reenvision her inheritance. The Moravian cousins, Elizabeth de Watteville and Henry Dohna, Zinzendorf's grandchildren, travel to Prague in winter 1788, on the eve of the French Revolution. 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