{"title":"Heather Raffo","description":null,"products":[{"product_id":"heather-raffo-s-9-parts-of-desire-book-heather-raffo-9780810123458","title":"Heather Raffo's 9 Parts of Desire","description":"Winner, 2007 Chicago Book Clinic Crystal Book Award for Excellence in Design \u003cp\u003e\u003c\/p\u003eAs topical as today's newspaper headlines, these rich monologues bring to life nine distinct Iraqi women whose very different stories convey the complex and harrowing reality of being female in modern-day Iraq. Their monologues quickly become a series of overlapping conversations leading to a breakdown in communication as the chaos of Iraq intensifies. Layal is a sexy and impulsive painter favored by Saddam's regime, breezily bohemian one minute and defensive the next; another woman mourns the death of her family in a 1991 bunker, and another--a blond American of Iraqi descent--painfully recalls a telephone conversation with Baghdad relatives on the eve of the U. S. invasion. Other characters decry the savagery of Saddam Hussein in terrifying detail and express an ambivalent relief at the American presence; still others--like a Bedouin woman searching for love--transcend politics. \u003cp\u003e\u003c\/p\u003eThe title comes from the teachings of the seventh-century imam Ali ibn Abu Talib: God created sexual desire in ten parts; then he gave nine parts to women and one part to men. Heather Raffo's monologues weave these nine parts into a finely textured, brilliantly colorful tapestry of feminine longing in dire times. 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Spanning a decade and a half, together these works form a mosaic of untold stories that were ground breaking in their time and continue to profoundly impact communities and classrooms internationally.    9 Parts of Desire (2003): \"First Choice\/The Best Shows in London\" by The Times, and as one of the “Five Best Plays” in London by The Independent.  Its award winning, Off-Broadway premiere ran for nine sold out months and was a critics pick of the The New York Times, Time Out, and Village Voice. The play then received productions in nearly every major regional theatre market in American before being translated for international productions in Brazil, Greece, Sweden, Hungary, India, Turkey, Malta, France, Iraq, Egypt, and Israel.  It was the first commercial hit on a national and international stage by an Arab American playwright helping to birth a new genre of Middle Eastern American Theatre.   Fallujah (2016) received its world premiere at Long Beach Opera before transferring to NYC Opera. The first ever opera about the Iraq War it tells a U.S. Marine’s account of the battle of Fallujah it focuses on moral injury and veteran suicide.   Noura (2018) won the L. Arnold Weissberger New Play Award and was hailed “The Most Ambitious Premiere” of the Women’s Voices Theatre Festival by The Washington Post and “stirringly powerful” by The New York Times.  Told from inside the marriage of an Iraqi family, the play explores the lingering cost of exile for both recent refugees and more established American immigrants.  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