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These writings provide new information about the impact of Byzantine culture, both Christian and Jewish, during the development and early years of Islamic rule in the eastern Mediterranean and across North Africa, and reconsider traditional concepts about the origin of Islamic art.  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Contributors address Armenia’s roles in facilitating exchange with the Mongol, Ottoman, and Persian empires to the East and with Byzantium and European Crusader states to the West. Essays also explore the ways in which elements of these cultures commingled in Armenian art and religion—Armenian artists and craftspeople produced an astonishing range of religious objects that drew upon influences from both Europe and Asia but ultimately created a uniquely Armenian visual identity. The authors explore the effects of this dualistic tension in the history of Armenian art and how it persists into the present, as this land situated at a crossroads of civilization continues to grapple with the legacy of genocide and counters new threats to its sovereignty, integrity, and cultural language.    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These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the ninth century, an unprecedented cross-fertilization of cultures had taken place.  This extraordinary age is brought vividly to life by leading international scholars, their writings accompanied by sumptuous illustrations of the period's most notable arts and artifacts. Resplendent images of authority, religion, and trade—embodied in precious metals, brilliant textiles, fine ivories, elaborate mosaics, manuscripts, and icons, many of them never before published—highlight the dynamic dialogue between the rich array of Byzantine styles and the evolving Islamic aesthetic. With its masterful exploration of two centuries that would shape the emerging medieval world, Byzantium and Islam provides a revelatory interpretation of a period with profound ramifications for the modern era.    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