{"title":"Howard Gaskill","description":"\u003cp\u003eExplore the insightful writings of Howard Gaskill, a leading scholar on Romanticism and German intellectual history. 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This collection of 20 essays, prepared by an international team of scholars, critics and translators, records the ways in which Macpherson's Ossian has been received, translated and published in different areas of Europe.The Ossian poems caused a sensation on their first appearance in the 1760s. Indeed, there is hardly a major Romantic poet on whom they failed to make a significant impression. The essays brought together in this volume explore the reception of Ossian in a wide range of European countries, in both literary and non-literary forms of reception and in the work of both individual writers and national literary cultures.Our knowledge of British and Irish authors is incomplete and inadequate without an understanding of the perspectives of other nations on them. Each volume examines the ways authors have been translated, published, distributed, read, reviewed and discussed in Europe. 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Dabei stilisiert man den keltischen Barden zum \"Homer des Nordens\" (Madame de Staël) und seine Poesie zur \"Mutter der Romantik\" (Uhland, Jean Paul). Indem Ossian mit 'süßer Wehmut' auf die Vergangenheit zurückblickt und die Distanz zum Ideal ästhetisch kompensiert, stellt er zugleich das'Urbild' des sentimentalischen Dichters dar. Die vorliegende Arbeit unternimmt erstmals eine Gesamtdarstellung der deutschen \"Ossianomanie\" und macht wichtiges Textmaterial zugänglich. Grundlage hierfür bietet eine poststrukturalistische Vermittlung wirkungsästhetischer und diskursanalytischer Modelle.   Band 1 behandelt die Poems of Ossian, die zeitgenössischen Diskurse sowie die Frühphase der Rezeption; Band 2 befasst sich mit der Haupt- und der Spätphase der Rezeption. 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The Ossian poems caused a sensation on their first appearance in the early 1760's. Indeed, there is hardly a major Romantic poet on whom they failed to make a significant impression. 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Returning to Greece after German exile, following his part in the abortive uprising against the occupying Turks (1770), and his failure as both a lover and a revolutionary, Hyperion assumes a hermitic existence, during which he writes his letters. Confronting and commenting on his own past, with all its joy and grief, the narrator undergoes a transformation that culminates in the realisation of his true vocation.Though H lderlin is now established as a great lyric poet, recognition of his novel as a supreme achievement of European Romanticism has been belated in the Anglophone world. Incorporating the aesthetic evangelism that is a characteristic feature of the age, Hyperion preaches a message of redemption through beauty. The resolution of the contradictions and antinomies raised in the novel is found in the act of articulation itself. To a degree remarkable in a prose work of any length, what it means is inseparable from how it means. 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