{"title":"Howard Singerman","description":null,"products":[{"product_id":"sharon-lockhart-book-howard-singerman-9781846382031","title":"Sharon Lockhart","description":"\u003cb\u003eA nuanced reading of an artwork that explores a place, transitory and pastoral, where childhood might be lived and imagined differently\u003c\/b\u003e \u003cp\u003eSharon Lockhart's \u003ci\u003ePine Flat\u003c\/i\u003e (2006) takes its name from a small hamlet in the foothills of the western slope of the Sierra Nevadas, just inside the Giant Sequoia National Monument. The work itself comprises three distinct parts- a set of three photographs of landscapes; a larger set of posed studio portraits of children and young teenagers; and a 138-minute 16-millimeter film, which is itself assembled from twelve ten-minute scenes-each a single immobile take-divided in half by a ten-minute intermission. This volume in Afterall's One Work series offers a nuanced reading of Lockhart's work, with color illustrations from both series of photographs and the film.\u003c\/p\u003e \u003cp\u003eArt historian Howard Singerman sees in \u003ci\u003ePine Flat\u003c\/i\u003e not a straightforward portrait of a community of children or ethnography of a place. Rather, the work explores the possibility of a space for childhood in which children have the right to intimacy, innocence, and interest outside adult narratives. The children in Pine Flat are posed formally and conventionally, but the space they occupy and the identities they construct are their own. Youth culture has long been exploited, to sell itself in order to be sold to; today, the rights of children to their own childhoods are constantly eroded. In \u003ci\u003ePine Flat\u003c\/i\u003e, Singerman argues, Lockhart proposes a place, transitory and pastoral, \"where childhood might be lived differently, imagined under a different order of power and possibility.\"\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49603911057681,"sku":"GOR013335082","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50452523090193,"sku":"CIN1846382033VG","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ GOOD \/ SBYB","offer_id":50878700618001,"sku":"CIN1846382033G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1846382033.jpg?v=1750803030"},{"product_id":"art-history-after-sherrie-levine-book-howard-singerman-9780520267220","title":"Art History, After Sherrie Levine","description":"This book examines the career of New York-based artist Sherrie Levine, whose 1981 series of photographs \"after Walker Evans\" - taken not from life but from Evans's famous depression-era documents of rural Alabama - became central examples in theorizing postmodernism in the visual arts in the 1980s. For the first in-depth examination of Levine, Howard Singerman surveys a wide variety of sources, both historical and theoretical, to assess an artist whose work was understood from the outset to challenge both the label \"artist\" and the idea of oeuvre - and who has over the past three decades crafted a significant oeuvre of her own. Singerman addresses Levine's work after Evans, Brancusi, Malevich, and others as an experimental art historical practice - material reenactments of the way the work of art history is always doubled in and structured by language, and of the ways the art itself resists.","brand":"WoB","offers":[{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50138864025873,"sku":"CIN0520267222VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":51372593479953,"sku":"GOR014244653","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0520267222.jpg?v=1751358600"},{"product_id":"art-subjects-book-howard-singerman-9780520215023","title":"Art Subjects","description":"Situates the Master of Fine Arts degree in its proper historical framework and ideological context. This book examines the first campus-based art schools in the 1870s and considers the structuring role of women art educators and women students; and the shift from the 'fine arts' to the 'visual arts'.","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50354863472913,"sku":"CIN0520215028G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51415926767889,"sku":"CIN0520215028VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":53521409704209,"sku":"NLS9780520215023","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0520215028.jpg?v=1750741574"},{"product_id":"sherrie-levine-book-howard-singerman-9780262535724","title":"Sherrie Levine","description":"\u003cb\u003eTexts-including essays, reviews, and statements by the artist-on the work of Sherrie Levine.\u003c\/b\u003e \u003cp\u003eThe artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists-most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and \"after\" artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts-most notably as it emerged in the pages of \u003ci\u003eOctober\u003c\/i\u003e magazine. It challenged authorial sovereignty and aesthetic autonomy and invited readings that opened onto gender, history, and the economic and discursive processes of the art world. This collection gathers writings on Levine from art magazines, exhibition catalogs, and academic journals, spanning much of her career.\u003c\/p\u003e \u003cp\u003eThe volume begins with texts by Douglas Crimp, Rosalind Krauss, and Craig Owens that situate Levine in postmodernist discourse and link her early work to \u003ci\u003eOctober\u003c\/i\u003e. The essays that follow draw on these first critical forays and complicate them, at once deepening and resisting them, as Levine's own work has done. All the essays attempt to understand the relationship between Levine and the artists she cites and the objects that she recasts. In these pages, Levine's oddly doubled works appear as chimeras, taxidermy, fandom, pratfalls, even Poussin's Blind Orion.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eContributors\u003cbr\u003e\u003c\/b\u003eMichel Assenmaker, Douglas Crimp, Erich Franz, Catherine Ingraham, David Joselit, Susan Kandel, Rosalind Krauss, Sylvia Lavin, Sherrie Levine, Maria Loh, Stephen Melville, Craig Owens, Howard Singerman\u003c\/p\u003e","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50452488782097,"sku":"CIN0262535726G","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50452489142545,"sku":"CIN0262535726VG","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51094786605329,"sku":"GOR010242554","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0262535726.jpg?v=1751356742"},{"product_id":"acts-of-art-in-greenwich-village-book-howard-singerman-9783777443997","title":"Acts of Art in Greenwich Village","description":"A first-ever look at a network of Black visual artists in Manhattan in the 1960s and 1970s    This comprehensive account of the six-year history of Acts of Art, a gallery founded by and for Black artists in Greenwich Village in 1969, includes a complete exhibition record, biographies of the gallery’s key artists, and entries on important group exhibitions and events.  This first in-depth look at Acts of Art, and its role within communities of Black artists in New York City, highlights the artists most closely tied to the gallery and its co-founder Nigel Jackson, from the early shows of Benny Andrews and James Denmark to the surveys of Loïs Mailou Jones and Hale Woodruff. In addition to an introductory essay and complete exhibition history, the volume includes artists’ biographies and entries on important group exhibitions and events. The publication accompanies the exhibition Acts of Art in Greenwich Village, on view at Hunter College’s Bertha and Karl Leubsdorf Galleries between Fall 2024 and Spring 2025.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51607898652945,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"US \/ NEW \/ INGRAM","offer_id":51607898980625,"sku":"NIN9783777443997","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51607899046161,"sku":"NGR9783777443997","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ LIKE_NEW \/ SBYB","offer_id":52885686812945,"sku":"CIN3777443999LN","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3777443999.jpg?v=1751065386"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-howard-singerman.oembed","provider":"World of Books ","version":"1.0","type":"link"}