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The aim is to explore the uncharted territory of Ford’s interest in the scopic field, claiming that his investigation of the optical unconscious is his most original contribution to the modernist concern for the stream of consciousness.  This is the first in-depth study of Ford’s interest in the gaze and how it is related to writing, painting, music, sculpture, visual technologies and forms of popular entertainment. Undermining the clichéd critical vision of Ford as the last Pre-Raphaelite or proto-Futurist, this study analyses Ford’s fascination with the visual avant-garde and his response to the revolution of photography and (proto-) cinematographic forms from the specific angle of the scopic drive. Part history, part theoretical discussion embedded in the close reading of the texts, this book is also concerned with Ford as a great stylist whose writing strives to project an image of itself and its structures in the reader’s eye. Drawing inspiration from psychoanalysis and art criticism, the author capitalises on the theories of Jacques Lacan, Rosalind Krauss, Hal Foster, Jonathan Crary, and Norman Bryson to disclose the fascinating and baffling universe of Ford’s gaze.  This is a revised and extended English translation of the original book Ford Madox Ford: Visione\/visualità e scrittura.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ INGRAM","offer_id":52685801029905,"sku":"NLS9783039113965","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783039113965.jpg?v=1762326422"},{"product_id":"exhibit-in-the-text-book-caroline-patey-9783039113774","title":"The Exhibit in the Text","description":"Interest in collecting and museology has increased exponentially over recent years, both in academic circles and the broader cultural arena, but the relationship between museums, collections and literature has not yet been fully investigated. 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Theoretical and visual approaches are employed throughout, introducing the principal themes of the graphic novels under scrutiny: political realism, visual documentary, traumatic childhood, ethnic discrimination, state oppression, and military occupation. The key works examined are Keiji Nakazawa’s Barefoot Gen, Joe Sacco’s Palestine, Marjane Satrapi’s Persepolis, W.G. Sebald’s Emigrants and Art Spiegelman’s Maus.  Innovative techniques, radical methods of depiction, sequence and text organisation are analysed throughout to explain how the authors use visual realism to represent these social crises. The book is well illustrated as a visual support for its exploration of this emerging and vital documentary medium.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52964243013905,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52964243046673,"sku":"GOR011867775","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9783039113620.jpg?v=1766461183"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-j-barrie-bullen.oembed","provider":"World of Books ","version":"1.0","type":"link"}