{"title":"James C Klagge","description":null,"products":[{"product_id":"wittgenstein-s-artillery-book-james-c-klagge-9780262045834","title":"Wittgenstein's Artillery","description":"\u003cb\u003eHow Wittgenstein deployed his philosophical artillery--his methods of reaching his audience--in search of a more poetic way of doing philosophy.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eLudwig Wittgenstein once said, really one should write philosophy only as one writes poetry. In \u003ci\u003eWittgenstein's Artillery\u003c\/i\u003e, James Klagge shows how, in search of ways to reach his audience, Wittgenstein tried a more poetic style of doing philosophy. Klagge argues that, deploying this new philosophical artillery--Klagge's terms for Wittgenstein's methods of influencing his readers and students--Wittgenstein moved from an esoteric mode to an evangelical mode, aiming for an effect on his audience that was noncognitive, appealing to the temperament in addition to the intellect. \u003cp\u003e\u003c\/p\u003e Wittgenstein was an artillery spotter--directing artillery fire to targets--in the Austrian army during World War I, and Klagge argues that, years later, he became a philosophical spotter, struggling to find the right artillery to accomplish his philosophical purpose. Klagge shows how Wittgenstein's work with his students influenced his style of writing philosophy and motivated him to care about the effect of his ideas on his audience. To illustrate Wittgenstein's evolving approach, Klagge draws on not only Wittgenstein's best-known works but also such lesser-known material as notebooks, dictations, lectures, and recollections of students. Klagge then goes beyond Wittgenstein to present a range of literature--biblical parables and children's stories, Dostoevsky and Tolstoy, Kierkegaard and Nietzsche--as other examples of the poetic approach. 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In Wittgenstein in Exile, James Klagge proposes a new way of looking at Wittgenstein--as an exile--that helps make sense of this. Wittgenstein's exile was not, despite his wanderings from Vienna to Cambridge to Norway to Ireland, strictly geographical; rather, Klagge argues, Wittgenstein was never at home in the twentieth century. He was in exile from an earlier era--Oswald Spengler's culture of the early nineteenth century.Klagge draws on the full range of evidence, including Wittgenstein's published work, the complete Nachla , correspondence, lectures, and conversations. He places Wittgenstein's work in a broad context, along a trajectory of thought that includes Job, Goethe, and Dostoyevsky. Yet Klagge also writes from an analytic philosophical perspective, discussing such topics as essentialism, private experience, relativism, causation, and eliminativism. 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After studying mechanical engineering and developing an interest in aeronautics, he became obsessed with mathematics and logic, which led to his life's work exploring the relationship between language, philosophy, and reality.\u003c\/p\u003e \u003cp\u003eIn \u003cem\u003eSimply Wittgenstein\u003c\/em\u003e, \u003cstrong\u003eJames Klagge\u003c\/strong\u003e presents a fascinating portrait of this brilliant and troubled man, while exploring his two extraordinary books--the \u003cem\u003eTractatus Logico-Philosophicus\u003c\/em\u003e \u003cem\u003eand Philosophical Investigations--\u003c\/em\u003ein which he gave concrete form to his singular and perplexing ideas. 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