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From corruption and Parliamentary reform, poverty and commerce, to patriotism and religion, the selections display Cobbett at his best - sometimes outraged and excoriating, sometimes sympathetic and reasoned - but always honest and witty. Divided into 14 chapters each dealing with a particular theme, the selections are contextualised so as to provide the necessary historical background for any readers who may be unfamiliar with the period. In so doing, the book not only brings to life the dynamic and rumbustious world of Georgian England within which Cobbett moved, but also reveals many uncanny parallels with modern concerns. Whether espousing political reform, promoting rural affairs or decrying a spiralling national debt, many of Cobbett's opinions seem as relevant today as when they were first written. 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This new approach reconfigured sound as central to understandings of space and temporality, from the diurnal rhythms of everyday life in the modern city to the 'deep time' of the natural world. At the same time, sound emerged as a frequently disruptive phenomenon, a philosophical and political problem, and a force with the power to overwhelm listeners. This is the first book devoted to the topic and brings together scholars from literary studies, musicology, history and philosophy through the interdisciplinary frameworks of sound studies and the history of the senses. The chapters pursue a wide range of subjects, from 'national airs' to the London stage, and from experiments in sound to new musical and scientific instruments. Collectively, they demonstrate how a focus on sound can enrich our understanding of Romantic-era culture. 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