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Long out of print, Rouge has been brought back to life with a spectacular new design, an authoritative essay by art historian James Steward, and many previously unpublished images that were part of the original series. As the city of Detroit struggles to reclaim its heritage as an American commercial and artistic hub, these photographs resonate more than ever with the stark realities and hidden beauty of the industrial landscape.","brand":"WoB","offers":[{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":49540895015185,"sku":"GOR012271403","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49739162976529,"sku":"NGR9783791382975","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/3791382977.jpg?v=1751467034"},{"product_id":"collections-of-the-romanovs-book-james-steward-9781858942216","title":"The Collections of the Romanovs","description":"Celebrates the 300th anniversary of the founding of St Petersburg by exploring the role fo the Romanov dynasty as collectors of fine and decorative arts. 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The 2025 opening of its new building affirms the museum’s long-standing commitment to considering works of art in the original as essential tools for understanding the wider world. Designed by Adjaye Associates in association with Cooper Robertson, the new facility positions the museum at the heart of both campus and civic life as a center for the public humanities. With dramatically expanded space for the display, conservation, and study of the museum’s globe-spanning collections, the building is shaped from nine interlocking “pavilions” to weave its dramatic volumes successfully into a complex built and natural environment, creating spaces to amplify the exceptional diversity of objects to be found within.  Renaissance: A New Museum for Princeton unites stunning new photography by Richard Barnes with a series of illuminating essays. Museum Director James Christen Steward offers a richly illustrated investigation of the institution’s history from the eighteenth century to the present as one of building, effacing, and building anew. Renowned architecture critic Paul Goldberger provides a consideration of the building in relation to museum architecture and design, while University Architect Ron McCoy reflects on the museum’s architecture and its contribution to the life and built environment on the Princeton campus. Art critic Mark Stevens, Princeton Class of 1973, shares an evocative meditation on what it means to have such a museum at Princeton, and award-winning poet Susan Stewart contributes an original poem for the publication.  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