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The implication that there is an identifiable genre of revenge tragedy rehearsing common conventions is challenged as Clare examines Renaissance plays of revenge on their own terms. While disclosing evident inter-textual links and a similar appeal to classical material, revenge plays of the late Elizabethan and Jacobean period strive for a range of effects including satire, parody and farce. Some plays embody a providential outlook while others seem defiantly secular. Francis Bacon's famous maxim 'a kind of wild justice' captures the moral ambivalence of revenge: a rough justice on the point of anarchy. 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In tracing the development of dramatic censorship from its  origins in the suppression of the medieval religious drama to the end of  the Jacobean period, she shows how the system of censorship which  operated under Elizabeth I and James I was dynamic, unstable and  unpredictable. The author questions notions which regard censorship as  either consistently repressive or as irregular and negotiable, arguing  that it was governed by the contingencies of the historical moment. In  this revised second edition, Clare argues that if subversion is  manufactured and orchestrated and always\/already contained, why is there  evidence of particular acts of censorship? 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