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But where does this peculiar and powerful blending together of love and happiness come from, and why do we find it such a compelling idea today?  In this short book Jean-Claude Kaufmann offers a fresh account of the history of a feeling unlike any other. The modern idea of love as passion was born in the 12th century but it was marginalized by the rise of a kind of instrumental, calculating reason that became increasingly central to modern societies. As calculating reason began to encroach on the personal domain, many individuals sought to escape from it, searching for happiness elsewhere. As our societies become dominated by calculating reason and selfish individualism, we search elsewhere for the kind of happy love that will heal all our wounds. This is why we experience so many changes of heart in our personal lives: at times we are coldly calculating and then, a few moments later, we sacrifice ourselves to love without a second thought.   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Featuring the trademark monograms of the house, the City Bag story began with the Steamer, a resort bag designed in 1901 to be packed inside a much larger steamer trunk. These bags have in a hundred years formally diversified into a dizzying array of handbags for every conceivable function demanded by the modern woman. Profoundly influential, City Bags are now known to millions by their descriptive names (Keepall, Bucket, Papillon, Alma, Locket, Noe, Speedy) and are still evolving into more fantastical forms. Lavishly illustrated with new and archival photography, historical graphics, landmark editorials, and ad campaigns, the volume traces the history of these specific bag families, and examines the earliest specimens and today's most sought-after collectibles, including Vuitton's collaborations with Takashi Murakami, Stephen Sprouse, Richard Prince, Yayoi Kusama, and Rei Kawakubo and one-off projects by Zaha Hadid, Shigeru Ban, Vivienne Westwood, Helmut Lang, Andr e Putman, and of course, Marc Jacobs. 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For many people, love is the thing that matters most in their lives: they are searching for love, hoping to find in love a kind of happiness that they cannot find in their work or by surrounding themselves with material goods. But where does this peculiar and powerful blending together of love and happiness come from, and why do we find it such a compelling idea today?  In this short book Jean-Claude Kaufmann offers a fresh account of the history of a feeling unlike any other. The modern idea of love as passion was born in the 12th century but it was marginalized by the rise of a kind of instrumental, calculating reason that became increasingly central to modern societies. As calculating reason began to encroach on the personal domain, many individuals sought to escape from it, searching for happiness elsewhere. As our societies become dominated by calculating reason and selfish individualism, we search elsewhere for the kind of happy love that will heal all our wounds. This is why we experience so many changes of heart in our personal lives: at times we are coldly calculating and then, a few moments later, we sacrifice ourselves to love without a second thought.   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It is estimated that one woman in three lives on her own. This development reflects general social trends, ranging from rising divorce rates to the growing professionalization of women and their dissatisfaction with a traditional model that offers them a future organized solely around 'husband-baby-home'. At the same time, the attractions of that model still linger and the fairytale prince is by no means a figure from a story or a remote past. Even in an age in which the internet promises that love is 'just a click away', many women still wait for their prince to come.  Jean-Claude Kaufmann's sympathetic study of the lives, aspirations and sometimes despair of the 'new single women' is based mainly on an analysis of a sample of the hundreds of letters sent to Marie-Claire magazine after it published a first-hand account of the single life. Funny, touching and at times profoundly sad, the letters paint a collective portrait of the single woman and her life that is both intimate and socially significant. 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Cooking is central to our lives, despite the fact that it never received the attention from serious scholars it might have had Boswell's definition caught on. The kitchen is in many ways the heart of the home, and the dining table is the family's little theatre where we all act out our parts. It has its script (?how has your day been?') and it is the setting for both the pleasures and the crises of couples and family life. Having to sit facing each other brings out the best and the worst in us. Eating a meal is an ordeal by truth, and it reveals the true state of our conjugal and parental relationships.   In this rich and highly entertaining book the French sociologist Jean-Claude Kaufmann takes us into kitchens and dining rooms and deciphers the meaning of food, cooking and eating in the lives of families and couples. We get inside cooks' heads and come to know their innermost - and often contradictory - thoughts. Should they rustle up a quick and simple meal, or create something special? That's a difficult question, as they are forging social relationships as well as making meals. 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