{"title":"Jo Kirby","description":"","products":[{"product_id":"closer-look-techniques-of-painting-book-jo-kirby-9781857095340","title":"A Closer Look: Techniques of Painting","description":"Materials and working practices influence a painter just as much as contemporary intellectual and cultural developments. This title helps readers develop a painterly eye by learning to recognize different materials and methods of application and to appreciate how these features contribute to how a painting looks.","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49506347811089,"sku":"GOR004171039","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":49731697934609,"sku":"NGR9781857095340","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ WELL_READ \/ INTERNAL","offer_id":50000568811793,"sku":"GOR013833308","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":50303955304721,"sku":"GOR011980851","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":51096137531665,"sku":"CIN1857095340VG","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ GOOD \/ SBYB","offer_id":51714981921041,"sku":"CIN1857095340G","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1857095340.jpg?v=1751027866"},{"product_id":"the-good-slug-guide-book-jo-kirby-9781914902253","title":"The Good Slug Guide","description":"Slugs and snails exasperate gardeners everywhere. The only effective chemical control has been banned and its replacement is still relatively untested and has its own environmental issues. And now the RHS says that we should treat slugs and snails as 'garden visitors'. What is going on?   The Good Slug Guide explains why conventional controls often fail, what slugs and snails really get up to in our gardens, what they really eat, what eats them, and includes many practical tips on how reduce the damage done by pesky molluscs.   Prepare for surprises. Slug pellets probably help rather than hinder real nasties. The usual advice of 'keep the garden neat and tidy' can make things worse and the organic advice to 'encourage hedgehogs, frogs and toads' turns out to be mostly wrong. Instead, there are more than 70 garden friends who are natural enemies of slugs and snails, ranging from mammal to microbe. There are even a few useful predatory slugs and snails.   Most scientists are not gardeners, and most gardeners are not scientists, and very few scientist-gardeners have a background in the ecology of decomposition along with a deep interest in environmental toxicology. This fortunate combination of skills and knowledge has prepared Jo Kirby uniquely to write a gardening book for the modern age. Laid out in an easy-to-follow manner with sound, practical advice on how to achieve a resilient garden, this timely book will change the way you think about your garden - and your slugs!","brand":"WoB","offers":[{"title":"US \/ NEW \/ INGRAM","offer_id":51055792652561,"sku":"NIN9781914902253","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ LIKE_NEW \/ INTERNAL","offer_id":51734303572241,"sku":"GOR014384413","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":52109866959121,"sku":"GOR013973032","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ GARDNERS","offer_id":52111420817681,"sku":"NGR9781914902253","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ GOOD \/ INTERNAL","offer_id":53008614654225,"sku":"GOR014693332","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1914902254.jpg?v=1757415657"},{"product_id":"natural-colorants-for-dyeing-and-lake-pigments-book-jo-kirby-9781909492158","title":"Natural Colorants for Dyeing and Lake Pigments","description":"This simple handbook aims to enable readers to make their own lake pigments or dye their own textiles using dyes from naturally occurring raw materials in a simple way under relatively controlled conditions and using recipes optimised for easy use in the laboratory or indeed the classroom. The book provides the basic principles of dying and lake pigment making (using the term lake pigment in its original, historical, sense indicating a naturally occurring dye precipitated onto a conventional usually white substrate, frequently a form of hydrated alumina) and from these the reader can try modifying the conditions or the amount of raw material, for example, to obtain different results. Suggestions for simple modifications are given. Contents: Introduction Natural dyes and their sources - plants, insect reds and shellfish purple The techniques of dyeing and pigment making - the basic chemistry behind the processes Recipes for dyeing Recipes for pigment making Bibliography","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51123458769169,"sku":"GOR013251623","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ GARDNERS","offer_id":51320680448273,"sku":"NGR9781909492158","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52694745121041,"sku":"NLS9781909492158","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1909492159.jpg?v=1774346334"},{"product_id":"trade-in-artists-materials-book-jo-kirby-9781904982258","title":"Trade in Artists' Materials","description":"Where did artists buy their materials? Who prepared them? What did they cost? Where did they come from, and how? This volume draws together the international research in this new and rapidly developing field of interdisciplinary enquiry by historians, conservators, scientists, economic historians and historians of trade. The evidence concerning supply and distribution, availability, cost, quality and value of artists' materials is fundamental for interpreting surviving objects in a wider sense. The authors draw on documentary material as diverse as pharmacy price lists, shipping and customs records, merchants' handbooks, traders' inventories and court account books. These sources are combined with technical evidence from works of art to explore the movements of pigments, dyes, panels, canvases, alabaster, parchment and paper from their point of origin to their purchase by the consumer in the major European centres of trade. The contributions range from specific case histories to more general views of the mechanisms and actuality of trading. Questions of terminology that have dogged the study of this topic are addressed and clarified, and new evidence concerning the nature of the materials traded and their identification is presented. Much of the detailed material discussed is provided in table form, and the book, which is generously illustrated, includes many maps illustrating trade routes. This volume is based on the papers for the international conference European Trade in Painters' Materials to 1700 held at the Courtauld Institute and the National Gallery, London, with additional contributions, and is supported by International Academic Projects and the Courtauld Institute of Art.","brand":"WoB","offers":[{"title":"- \/ - \/ -","offer_id":51531918868753,"sku":"","price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":51531919065361,"sku":"GOR011223520","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"GB \/ NEW \/ INGRAM","offer_id":52694740369681,"sku":"NLS9781904982258","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1904982255.jpg?v=1750769154"},{"product_id":"dyes-in-history-and-archaeology-16-17-book-jo-kirby-9781873132975","title":"Dyes in History and Archaeology 16\/17","description":"Interest in all aspects of dyestuffs has grown considerably since an informal meeting of researchers twenty years ago developed into the annual meetings of Dyes in History and Archaeology, with the journal of the same name publishing a selection of papers presented. Analysis has revealed that the early 20th-century clothing and textile designer, Mariano Fortuny, used natural dyes for his glorious silks and cottons. Natural indigo is still used in some parts of the world, but dyeing with it is harder, less pleasant work than is popularly supposed. Species of Coleus - one of which is the flame nettle, a popular houseplant in the West - are used as sources of red, blue, purple and green dyes in Papua New Guinea and other parts of Asia. Research into the history of dyestuffs covers many disciplines and their chemistry is also of fundamental interest: the development of synthetic dyes was a breakthrough for chemical technology and industrial processes, and analysis has enabled the dyestuffs used on historical textiles and in pigments used in paintings to be identified. These topics were among those presented at the 16th meeting, held in Lyons in 1997, and the 17th meeting, held in Greenwich, London in 1998, and discussed in the papers included in this book. They reveal the variety of disciplines with a common interest in this fascinating, colourful world.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52694735880465,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52694736503057,"sku":"NLS9781873132975","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781873132975.jpg?v=1774346248"},{"product_id":"dyes-in-history-and-archaeology-19-book-jo-kirby-9781873132142","title":"Dyes in History and Archaeology 19","description":"At what point does romantic invention become tradition, legend blend into historical fact? Surely the tartan of Bonnie Prince Charlie, that epitome of folklore, was dyed in the colours of mists and heathers with local Scottish dyestuffs? The truth is more prosaic, but no less interesting: archival research and analysis of dyestuffs used in 18th- and 19th-century tartans suggests that, while some local plant dyes may have been used, Scottish dyers were importing a range of widely available brilliant dyes. It is particualarly appropriate that tartans should be a subject for study at the 19th Meeting of Dyes in History and Archaeology, held in 2000 at the National Museums of Scotland, Edinburgh. The value of complementary studies in the examination of artefacts - the evaluation of historical documents and dyestuff analysis, demonstrated in the tartans project - is underlined by other papers in this volume in which this approach was taken: studies of 17th-century Inca garments (exemplified by the silver figurine on the cover), and the recipe for a yellow pigment attributed to a 17th-century English painter and horticulturalist, Sir Nathaniel Bacon. Documents themselves are also the subject of investigation. Natural antioxidants in materials used by medieval illuminators may have helped to protect the paper or parchment from damage. Pharmaceutical price lists are little know but valuable aids for research into historical materials. Archaeological textiles and dyestuffs themselves are also discussed: several papers describe methods to obtain the colour purple. Historical objects must also be conserved. One problem that may occur is dyestuffs on paper or textiles bleeding during attempted cleaning, but a method of fixing the dyestuff temporarily, described in this volume, may provide an answer. This volume is dedicated to the memory of Helmut Schweppe.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52694736830737,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52694737551633,"sku":"NLS9781873132142","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781873132142.jpg?v=1762388919"},{"product_id":"dyes-in-history-and-archaeology-20-book-jo-kirby-9781873132296","title":"Dyes in History and Archaeology 20","description":"Until the 19th century, the dyes available to decorate all the objects of art and everyday life were obtained from naturally occurring raw materials. It was well known that some were better than others and from early times the necessity of assessing quality and avoiding falsifications was recognised. Following developments in synthetic organic chemistry, a vast number of new dyestuffs appeared; these also varied in quality and permanence and required testing. Historians, archaeologists, chemists and dyers then began to ask how the dyers of earlier times and other civilisations had carried out their craft. Today, conservators have questions too: how the dye and its method of application may affect the state of preservation of an object, and also the remedial measures that are necessary. Over the centuries, analytical methods have developed from simply moistening the raw material with saliva to assess its dyestuff content to the identification of a dyestuff molecule by mass spectrometric analysis. Methods for the examination of dyestuffs have evolved in parallel with developments in analytical chemistry and ever more detailed information becomes available as techniques improve. The development of non-destructive methods has a particular relevance to historical artefacts and may grow in importance in the future. These points are discussed in the papers presented at the 20th Meeting of the Dyes in History and Archaeology, held in 2001 at the Instituut Collectie Nederland, Amsterdam. They are illustrated further by discussions of the use of particular analytical methods and the development and use of a range of dyestuffs from shellfish purple to Malachite green; from Indonesian dyes to food colorants. Historical and conservation issues are also discussed including dyeing of prestigious textiles during the Nara era in Japan by a method that was subsequently forgotten, and the conservation of two historical Canadian textiles.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52694736797969,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52694737387793,"sku":"NLS9781873132296","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781873132296.jpg?v=1762388919"},{"product_id":"dyes-in-history-and-archaeology-18-book-jo-kirby-9781873132333","title":"Dyes in History and Archaeology 18","description":"Indigo has a powerful hold on the imagination - as evidenced by the traditional picture of Ancient Britons coloured blue with woad indigo - but, until now, the actual application of the dye and possible explanations underlying the practice have rarely been considered. The dyestuff is equally fascinating to the scientist, to Adolf von Baeyer in the 19th century, or to the modern chemist using modern instrumental methods for its characterisation. Indigoid dyes are not the only blues and purples, however, lichen dyes have an equally long history and their inconspicuous sources, found in many, often inhospitable, habitats, are no less intriguing, if difficult to categorise. Perhaps the most humble colouring matter is mud, but this, too, has a biological aspect to its use. These and other naturally occuring organic colouring matters were among the subjects for discussion at the 18th Meeting of Dyes in History and Archaeology, held in Brussels in 1999. The textiles and other artefacts coloured with the dyes are no less interesting and varied. Romanian and Polish textiles and, as the cover illustrates, Japanese ukiyo-e prints are only examples of the possible uses discussed in this book.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52694737846545,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52694738600209,"sku":"NLS9781873132333","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781873132333.jpg?v=1762388923"},{"product_id":"dyes-in-history-and-archaeology-21-book-jo-kirby-9781904982074","title":"Dyes in History and Archaeology 21","description":"The trade in dyestuffs has played an important role in the economic history of many nations. In medieval Europe this is demonstrated by the important place held by woad in the economy of many countries, but while the woad industry of Toulouse or Erfurt is quite well known, that of Catalonia and Roussillon is rather less familiar. Other aspects of medieval woad dyeing are equally interesting: it is known that the vat contains indigo-reducing bacteria, but how do these bacteria interact with the indigo to make the process work? In fact, identifying the dye present in fragments of aged or degraded textile or in a tiny pigment sample is only half the battle: we are still left wondering how the effects revealed by the analysis were achieved. Thus, madder was widely used in Roman and Coptic Egypt, but which madder? How do the red pigments used to paint the sumptuous glazes on 15th- or 16th-century European paintings relate to the textiles dyed with the same dyes? Some classes of works of art present particular problems because no sample may be taken or because the materials used in the construction of the object are poorly understood or particularly intractable. Many Japanese objects of cultural heritage can only be studied by non-invasive methods, but sometimes this study can be greatly assisted by even a limited amount of analysis, as demonstrated by the discussion of braids used in Japanese armour. The organic pigments used in illuminated manuscripts present a similar problem as they are often difficult to identify by non-invasive methods. Some, such as the anthocyanin blues and exotic dragonsblood, are also not particularly well characterised while others, such as the expensive shellfish purple also found on Roman and Coptic textiles, are tantalisingly rare. These topics are among those discussed in the papers presented at the 21st Meeting of Dyes in History and Archaeology, held in Avignon in 2002, together with discussions on a range of topics from theoretical studies of alizarin complexes to the use of logwood as a biological stain and the use of dyes in West Africa and 18th-century Poland.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52694742335761,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52694742892817,"sku":"NLS9781904982074","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781904982074.jpg?v=1762388939"},{"product_id":"dyes-in-history-and-archaeology-37-40-book-jo-kirby-9781909492929","title":"Dyes in History and Archaeology 37\/40","description":"Deep in the past, in South America and Mesopotamia, textile fibres were being given colour, purple and red, to make them attractive and interesting and to give pleasure to those who wore them. Many centuries later, South America was the source of a bright and unusual blue, Maya blue, used in painting, but this too is associated with a more complicated, more varied story. An important element of the story is that if the technology of dyeing in 18th-century London with, for example, madder is examined, it is not so far away from the work of the dyer in Mesopotamia centuries earlier. However, the 18th century was the time of wonderfully colourful and exuberant fabrics and tapestries. A century and a half later, a new age of brilliantly coloured synthetic dyes, the likes of which had never been seen before, exploded onto the scene with hundreds of colours with exotic names and doubtful permanence. However, some old dyes were still used on an industrial scale: lichen purples and browns, unassuming and still widely traded, were used throughout the 19th century. These and other stories will take the reader from the earliest times, a glimmer of colour in the distant past, to the very real conservation problems of deteriorating containers of early synthetic dyes - a long and colourful history. The topics covered in this edition vary from the dyes of South America, Mesopotamia, Austria,17th - 19th Century Flanders and England to the use of lichen, lac and redwood lake as pigments and cochineal for paints and inks. These papers were presented at the 37th, 38th and 40th meetings of the DHA group at NOVA Universityof Lisbon (2018), the University of Amsterdam (2019) and the online conference hosted by the BritishMuseum, London (2021)","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52694744465681,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52694744924433,"sku":"NLS9781909492929","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781909492929.jpg?v=1762388946"},{"product_id":"dyes-in-history-and-archaeology-35-36-book-jo-kirby-9781909492813","title":"Dyes in History and Archaeology 35\/36","description":"Sources of yellow natural dyes provide a leitmotif running through the papers contained inthis volume. Sawwort is the source of a yellow dye that played an important part in textiledyeing in 15th-century Europe and was traded by the Florentine dye company of Francescodi Giuliano Salviati. It is less well known than weld, also traded by the Salviati company andused all over Europe as well as in Iran for dyeing Persian carpets. Some sources of yellow dyealso have a pharmaceutical role: chamomile is one such, present among the named boxesof 'simples' housed at the Spezieria di Santa Maria della Scala, Rome. Not every paper presented at the 35th and 36th meetings of Dyes in History and Archaeologyheld in Pisa (2016) and Hampton Court (2017) focused on yellow dyes, however. Othertopics discussed and presented in this book include the fascinating story of Cornelis Drebbel,the scarlet cochineal dye he discovered and its subsequent history; a Victorian carpetmanufacturer who used the lichen dye cudbear; and non-destructive methods of examinationof Japanese textiles. The front cover shows sawwort (Serratula tinctoria L.) growing in the photographer's garden in theCevennes, southern France. Photo Dominique Cardon.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52694744793361,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52694745088273,"sku":"NLS9781909492813","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781909492813.jpg?v=1774346068"},{"product_id":"dyes-in-history-and-archaeology-33-34-book-jo-kirby-9781909492806","title":"Dyes in History and Archaeology 33\/34","description":"The nineteenth and early twentieth centuries were a time of change in the technology of dyes and dyeing: brilliantly coloured synthetic dyes came onto the market and were welcomed into the world of fashionable clothing. Natural dyes still had a part to play, however: locally available dyes could make a significant contribution to the revival or development of the economy of a region, such as the Scottish Highlands during the First World War. The dye extracted from a plant growing in one region may differ slightly from that found in a closely related species growing in another; the Japanese and Chinese species of Phellodendron (Amur cork tree and related plants) are a good example. Analysis of the dyes used for a fabric may thus suggest the region in which it was dyed. Trade records can provide additional useful evidence, as shown by a comparison of dyed textiles from the Ryukyu Kingdom (Okinawa and neighbouring islands) and Indonesia. The use of non-invasive spectrometric methods to examine dyes and pigments has increased considerably, notably portable methods that can be taken to the object. This is essential in the case of manuscripts that cannot be moved from the library holding them, such as the Aztec Codex Borbonicus. The application of multispectral imaging techniques to textile dyes is relatively recent and if high-performance liquid chromatography can also be carried out, as in the case of the Italian polychrome laces described in this book, valuable and informative results can be achieved. These are some of the topics presented at the 33rd and 34th meetings of Dyes in History and Archaeology held in Glasgow (2014) and Thessaloniki (2015): other analytical methods, historical Chinese dyeing practices and the always fascinating topic of indigo may also be found in this book.","brand":"WoB","offers":[{"title":"- \/ - \/ INTERNAL","offer_id":52694746562833,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":true},{"title":"GB \/ NEW \/ INGRAM","offer_id":52694747021585,"sku":"NLS9781909492806","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/9781909492806.jpg?v=1762388950"}],"url":"https:\/\/www.worldofbooks.com\/collections\/author-books-by-jo-kirby.oembed","provider":"World of Books ","version":"1.0","type":"link"}