{"title":"Joan Simon","description":"\u003cp\u003eDelve into the captivating works of Joan Simon, exploring themes of art, culture, and design. Perfect for those fascinated by insightful biographies and historical explorations, find your next read here.\u003c\/p\u003e","products":[{"product_id":"edmund-de-waal-book-joan-simon-9780847849260","title":"Edmund de Waal","description":"Edmund de Waal's art speaks to his enduring fascination with the nature of objects and the attendant history of their collection and display. Confronting European and Asian traditions of intimate craftsmanship with the scale and sequence of minimalist art and music, Edmund de Waal's ensembles of porcelain vessels evoke at once the delicate measure of Agnes Martin's sublime abstract paintings and the rhythmic pulses of the music of Philip Glass and Steve Reich.","brand":"WoB","offers":[{"title":"GB \/ NEW \/ GARDNERS","offer_id":49732153409809,"sku":"NGR9780847849260","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0847849260.jpg?v=1751329916"},{"product_id":"susan-rothenburg-book-joan-simon-9780810927483","title":"Susan Rothenburg","description":"Recounts the life of the modern American painter, and describes her work and how it developed","brand":"WoB","offers":[{"title":"US \/ GOOD \/ SBYB","offer_id":50097410900241,"sku":"CIN0810927489G","price":0.0,"currency_code":"GBP","in_stock":false},{"title":"US \/ VERY_GOOD \/ SBYB","offer_id":50664879063313,"sku":"CIN0810927489VG","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/0810927489.jpg?v=1751011481"},{"product_id":"ann-hamilton-book-joan-simon-9780810941601","title":"Ann Hamilton","description":"Internationally acclaimed artist Ann Hamilton creates sensory environments filled with huge quantities of material substances - 10 tons of Linotype slugs, 750,000 pennies (the budget of a project, translated into the smallest monetary unit and laid into a skin of honey), 48,000 blue work pants and shirts. In the last decade, Hamilton has increasingly incorporated sound, video, and audience interaction in a way that aligns her more closely with performance artists such as Laurie Anderson than with traditional sculptors. Her multimedia works have been widely exhibited - from The Museum of Modern Art to the Venice Biennale - and she has been awarded MacArthur and NEA Visual Arts Fellowships. Her process-oriented installations, perhaps more accurately called tableaux vivants, are so particular to their sites that, after their initial showing, they survive only in photographs, sketches, and other descriptive documents. 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From 1896 to 1907, she created films for Gaumont in Paris. In 1907, she moved to the United States and established her own film company, Solax. From 1914 to 1920, Guy Blache was an independent director for a number of film companies. Despite her immensely productive and creative career, Guy Blache's indispensable contribution to film history has been overlooked. She entered the world of filmmaking at its nascent stage, when films were seen primarily as a medium in the service of science or as an adjunct to selling cameras. Working with Gaumont cameramen and cameras and the new technical advances for the projection of film, she became one of the film pioneers ushering in the new era of motion pictures as a narrative form. 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They analyze the extended cast of Calder's animated Circus, made in Paris between 1926 and 1931, and include previously unpublished photographs by Brassai and Kertesz of Calder and this beloved performative sculpture. The essays critically explore the intellectual, cultural, and artistic milieu of Paris in the late 1920s and early 1930s and the contexts of Calder's friendships with Miro, Mondrian, Duchamp, and Man Ray, among others. 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The sites for her work range from T-shirts and golf balls to dazzling electronic signboards at baseball stadiums.  Her work uses language to investigate the nature of ideologies as conscious and unconscious formations about identity and experience. Her complex and poetic texts can be shocking, humorous and intriguing in content. At the same time she draws on Minimalism's use of industrial materials and deploys scale, movement and light to create art of great formal power and beauty.   In the Survey, art critic and academic David Joselit surveys Holzer's changing oeuvre, from the first appearance of the streetwise Truisms in the late 1970 to her large-scale installations in museums worldwide. Joan Simon, curator of Holzer's first solo US museum exhibition, discusses with the artist her use of language and its relationship to visual form. In the Focus, Slovenian cultural theorist and philosopher Renata Salecl takes an in-depth look at Holzer's Lustmord series, which was precipitated by the events in the former Yugoslavia and boldly addresses the atrocities committed in war. For the Artist's Choice, the artist's fragmented, unexpected language is mirrored in Samuel Beckett's Ill Seen Ill Said, which the artist has chosen alongside extracts from Crowds and Power by Elias Canetti. 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