{"title":"John Gillett","description":null,"products":[{"product_id":"jumble-book-john-gillett-9781913833312","title":"Jumble","description":"\u003cp\u003eThis book is a selection of short articles and essays that resulted from clearing out texts, poems and sketches in an old desk-top computer together with the addition of a few memories recorded in old diaries and notebooks. You never know what you could find in a book of jumble such as this. Hidden treasures can often be found in jumble, particularly if it contains antiques. There may even be some here  \u003c\/p\u003e\u003cp\u003eThe author is an octogenarian caver, walker and writer who lives in Gawsworth, Cheshire. He is a widower with one daughter, two grand-daughters and three sisters all of whom have contributed in some way to the contents of this book.\u003c\/p\u003e\u003cp\u003eThe proceeds of the sales of this book will be donated to The East Cheshire Hospice.\u003c\/p\u003e","brand":"WoB","offers":[{"title":"GB \/ VERY_GOOD \/ INTERNAL","offer_id":49506034385169,"sku":"GOR011317060","price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0784\/4072\/6801\/files\/1913833313.jpg?v=1751347747"},{"product_id":"acting-stanislavski-book-john-gillett-9781408184981","title":"Acting Stanislavski","description":"Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world – but is still often rejected, misunderstood and misapplied.  In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor’s training to final performance, exploring:      ease and focus     the nature of action, interaction and objectives     the imaginary reality, senses and feeling     active analysis of text      physical and vocal expression of character      the actor in the context of training and the industry.  Drawing on Stanislavski’s major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor’s point of view, and offers many practical exercises and examples as an integrated part of each subject.  Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg.  A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. 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This book explains how 'older cavers' develop and maintain this attitude, as well as taking an active interest in their chosen sport. There is something here for everyone, not just the cavers and non-caving pensioners, but for the younger folk, who will, one day, hopefully, experience life as 'older folk'. The book is filled with amusing and interesting articles for fire-side, or bed-time reading. The philosophies embedded in the text may also stimulate the thoughts of the perceptive reader. John Gillett is an active caver who belongs to several UK caving clubs. He has a passionate belief in the societal benefits of education and has played an active part in developing and implementing ideas on this subject internationally. He is married, with one daughter and two grand-children. 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